Music JAZZ

Music JAZZ AND POPULAR IN HISTORY LINTASAN

Writing this brief, honest, born from anxiety as a writer and observer jazz, is still by the lack of public attention, especially Indonesia, against this type of music. Like classical music, most people tend to assume that this type of music is too heavy, abstract, and difficult to digested. Besides, the oft jazz as distereotipkan folk music or folk Gedongan elite, although in reality the "Gedongan", the actual children advance the fans or jazz music is still the minority groups. Even among young adults has found the common assumption that jazz is "music that parents and make us sleepy."

The emergence of the image for that jazz is less profitable originate on an understanding of the dominant that the main function of music is to entertain and give satisfaction to the audience, with the goal of benefit. The existence of technology development, namely the emergence of the voice recorder -19 at the end of the century have resulted in a shift of the art music world: if at first the music is pure expression of human feelings now, the music recording industry products and commodities trading. Capitalism music industry also has to shift the music shows that the old cultural identity of each ethnic / nation in the world, and instead there is a new type of music that the cause to fall and cultural differences that exist, that is what is called "popular music". Without the override creativity from the pop musicians (only a small part of the pop musicians have original creativity!), The composition does not pop a few forms that terstandarisasi or reproduction of the trend-moment trend, and this phenomenon tends to take place globally.

In this case noteworthy jazz appears that the transition from music as "traditional" music to the "popular". In early development, jazz can diketegorikan as an example of the music tradition, where music is the expression and represent the black community culture in the United States. As music, which represents a community for that, the development of this type of music will also feel more or less the same. The emergence of the flow swing the decade 1930's brought important changes in the way people make music, which ultimately affect the position pengkategorian jazz music among various others. Swing era marked by the emergence of jazz band with a large number of players (big band), which can be seen as a form of European style orkestrasi applied in jazz, though still maintain the characteristics of matter, such as improvisation, syncopation and blue notes (which would tone not in the third and seventh, is a characteristic blues and jazz music). With these developments, jazz music is no longer considered "barbarian" as synonymous with black. At that time, even jazz music has become popular, with his swing rhythm of the match for the dancing, and at that time also began to spread jazz to other parts of the world such as Europe or Asia. Not a little jazz composition, the composition of such powerful musician George Gershwin, Cole Porter or Duke Ellington to be appointed and take the movie, and composition, the composition is a pop song in the period.

The development of jazz, which led to the music entertainment on the cause reactions among black jazz musicians. Some of them such as Charlie Parker and Dizzy Gillespie bebop then introduce a new style of jazz on about the end of the decade 1940-an. Appearance is often called the bebop revolution as in jazz, perhaps because the eksponennya a new study that aims to restore the jazz music as in reality the "art" typical folk fuji. This marked the flow of new development with the formation of the band / combo in a more minimalist with the consequences of the breadth improvised solo space for each player. Besides the style swing with the formation of his big band, bebop and several variations that appear later (BOP hard, cool jazz, and so forth) to mainstream (mainstream) and the center of the jazz world until the present time.
Since the "revolution" bebop, jazz rather tend to develop into a genre that is more exclusive than before, and it appears increasingly separate from various other types of music. Indeed, jazz and really developed into a music "art" with a high level of difficulty as well as classical music. In the future now will be more jazz musicians found jebolan schools of music, despite the fact dedengkot early jazz almost all study disparities in self-taught. As a music genre that requires more seriousness, it is not surprising if somewhat promising start jazz audience. Moreover, at that time, the trend rock'n roll increasingly dominate the world of popular music world. If the 1940's, jazz can be found in the entertainment community and public dance parties, since around 1950 and the next will feel "shift" toward the intellectual and academic communities, where they increasingly tend to treat this music as a "disciplinary science "Segregated. If you were more, the bebop revolution, at least bring some positive effects: First, the climate in the middle of racialism that is still strong until the 1960s (remember the case tertembaknya Martin Luther King, black U.S. fighter in 1968), categorized as a jazz begin part of the "cultural level", the rock music that lifted a nation of white skin seemed more a part of the "mass culture". Second, with little escape from the form of orkestrasi style swing will allow the musicians to explore jazz-exploration with a new adopt elements of music that can enrich considered jazz. Without bebop, probably will not ever Fusion jazz, avant-garde or world music that explore ethnic music from various parts of the world.

In the latter, the more it appears that jazz always contradictory with the popular music (rock and pop), where if someone becomes one of the fans of this type of music will usually reject the other. Less known is that the second general type of music has a relationship with one another that affect each other. Is not jazz and rock grew from the roots of the same, namely, the blues? Maybe not many people know that the songs The Beatles have been much be by jazz musicians as a standard track. Or that Sting, pentolan group's New Wave-era 80s, The Police, is also a jazz musician is reliable. As a result of the interaction between jazz and music entertainment has proven to bring many new synthesis that enrich feel good in jazz and rock. For the pop or rock musicians who adopted elements of jazz will give them a better value because with that will be considered to be more qualified, while vice versa for the jazz musicians, by adopting elements of popular music will cause the paper they have more selling power.

The emergence of various forms of synthesis between jazz music and entertainment material is often a debate among music critics, on the pengkategorian therefore become increasingly blurred. Since around 1980, various flow is given a new name Adult Contemporary (AC), presumably to show that music is intended for the specific age that have been considered "adult", usually the age of 30 years to top .. Music that can be categorized as AC include:
Fusion, who was born around the end of the 1960s, when Miles Davis, an exponent bebop and cool jazz popularize a new variant to adopt elements of jazz with rock and soul / R & B. Miles of the pioneering musician-generation musician underneath. One of the most successful is Chick Corea, where he popularize the use of electronic instruments in jazz, so the Fusion and almost can not be released from the characteristics of (electronic) is. Initially, Fusion is still quite laden with jazz improvisation, but then increasingly on the pop with a simplified type of composition more interesting to taste the market. And then type the last term with the more popular Smooth jazz or sometimes also called Contemporary jazz.
"Jazzy", which means "little-bit ngejazz" or "a little jazz nuances." This term is generally used to call popular music, which adopted elements of jazz, generally in the progresi chord (which represents the element of "blue note") and rhythm (RhyThm), which is often used in jazz such as swing, soul, bossanova and so forth. Some of the initial bearer jazzy, among other groups Blood, Sweat & Tears (BS & T) and Chicago around 1968. Jazzy artists have diverse backgrounds. There are some artists / musicians who choose to jazzy music as a concept, there is a "jazzy" only because kolaborasinya with musician-jazz musicians. Thus, the color of music will be diverse. One of the most popular variant of this is the acid jazz, where the flow of new music perhaps this is the result of the "RADIO" the DJ (disc jockey) in creating a type of dance music by incorporating elements of jazz, soul, hip hop, and Funk in a composition / songs. Acid jazz is the group, such as by the Brand New Heavies and Incognito, with his beat-the dynamic of this immediately obtain acknowledgment from the younger listeners.


From a historical illustration of this is very short, can be an understanding that jazz is not only the type of music is a serious and boring. It seems more appropriate if it is said that jazz is a process of "pull overextend" between art music tradition / classic that is elitist in nature with entertainment, music, which represents the aspirations of a broader audience. From the pull overextend this and many variants appear, or the flow of jazz in the increasingly enrich the vocabulary of this music. Indeed, jazz offers diversity and musical exploration-exploration that if I ignored it, especially for young people who usually have the most curiosity. Finally authors say: good try!

Jazz In Love

ACID JAZZ
1. Still a Friend of Mine – INCOGNITO
2. Dream Come True – BRAND NEW HEAVIES
3. Girl Overboard – SNOWBOY
4. Canned Heat - JAMIROQUAI
5. Stepping Into My Life – THE JAMES TAYLOR QUARTET
6. Sweet Feelings – ESPERANTO

JAZZ STANDARDS
1. Love Is Here To Stay – ELLA FITZGERALD & LOUIS ARMSTRONG
2. Round Midnight – THELONIUS MONK
3. Route 66 – GRADY TATE
4. Stardust – HELEN HUMES
5. Summertime – JOE HENDERSON feat. CHAKA KHAN
6. Sweet Lorraine – NAT KING COLE
7. My Funny Valentine – MILES DAVIS
8. How High The Moon – DEE-DEE BRIDGEWATER
9. Mack The Knife – LOUIS ARMSTRONG
10. Spain – AL JARREAU

SWING
1. Route 66 – THE MANHATTAN TRANSFER
2. Do Nothing Till You Hear From Me – ROBBIE WILLIAMS
3. L o v e – NATALIE COLE
4. Come Rain Or Come Shine – DIANE SCHUUR
5. Beyond The Sea – GEORGE BENSON feat. COUNT BASIE ORCHESTRA
6. Let’s Fall In love – DIANA KRALL
7. Goin’ home – AL JARREAU & TAKE 6

BALLADS
1. Misty – SARAH VAUGHAN
2. Unforgettable – NATALIE COLE feat. NAT KING COLE
3. What A Wonderful World – KENNY G & LOUIS ARMSTRONG
4. Love Dance – DIANE SCHUUR
5. Tears In Heaven – JOSHUA REDMAN feat. PAT METHENY
6. For Sentimental Reason – SYAHARANI
7. You’ve Changed – GEORGE MICHAEL

BOSSA NOVA
1. The Girl From Ipanema – STAN GETZ feat. JOAO & ASTRUD GILBERTO
2. Agua de Beber – ASTRUD GILBERTO
3. Blue Bossa – BENNY CARTER
4. Mas Que Nada – SERGIO MENDES
5. Desafinado – EDEN ATWOOD
6. Corcovado (Quiet Night Of Quiet Stars) – LAURA FYGI
7. Waters Of March – AL JARREAU & OLETA ADAMS
8. One Note Samba – EARL KLUGH

JAZZ FUSION & FUNK
1. Night Rhythms – LEE RITENOUR
2. Invitation – SHAKATAK
3. Brazilian Love Affair – GEORGE DUKE
4. Come With Me – TANIA MARIA
5. Daddy’s Gonna Miss You – YELLOWJACKETS
6. Rio Rush – FOURPLAY

SMOOTH JAZZ
1. Antonio’s Song – MICHAEL FRANKS
2. Angela – BOB JAMES
3. Springtime Laughter – SPYRO GYRA feat. BASIA
4. Between The Sheets – FOURPLAY feat. CHAKA KHAN
5. You Make Me Smile – DAVE KOZ
6. Midnight In San Juan – EARL KLUGH
7. This Masquerade – GEORGE BENSON
8. After The Love Has Gone – DAVID BENOIT/R. FREEMAN feat. PHIL PERRY

JAZZY TUNES
1. Smooth Operator – SADE
2. Just The Two Of Us – BILL WITHERS & GROVER WASHINGTON JR
3. When We Make A Home – SADAO WATANABE
4. Baby You’re Mine – BASIA
5. After The Love Has Gone – EARTH WIND AND FIRE
6. Through The Fire – CHAKA KHAN
7. By The Time This Night Is Over – PEABO BRYSON & KENNY G

JAZZ INDONESIA
1. Reborn – INDRA LESMANA
2. Moliendo Café – BUBI CHEN
3. Dia – SYAHARANI
4. Menanti – TOHPATI feat. LITA ZEIN
5. Night In Samarinda – CANIZZARO
6. Take Off To Padang - KARIMATA
7. Satu Nuansa Jiwa – ERMY KULLIT

INDONESIAN JAZZY VOCALS
1. Jangan Menggoda Lagi – PETER F GONTHA & SYAHARANI
2. Andai Saja – IGA MAWARNI
3. Bisikan Hati – ANDIEN
4. Keraguan – 2D (DIAN PP / DEDDY DHUKUN)
5. Dara - CHASEIRO
6. New Sakura – FARIZ RM
7. Semurni Kasih – DIAN PRAMANA PUTRA
8. Kesan – ERMY KULLIT
9. Kembali – GLENN FREDLY

ACID JAZZ INDONESIA
1. Satu Mimpiku – THE GROOVE
2. Dan Senyumlah – SINGIKU
3. Denganmu – BUNGLON feat. NERI PER CASSO
4. Interaksi – HUMANIA
5. Universal - CLOROPHYL.