Is Conformism Killing Music?
I look around me and the Desi music industry is full of sheep...WHY? Where is our Bob Marley, Our Beatles, Our Biggie or Tupac for gods sake!!
What do you think? When I'm in love with my roots and desi culture its the greatest feeling on earth - But other times my roots and culture make me angry - to be exact its the Conformism in desi culture that gets my creative blood boiled.
I meet producers, artists, etc all the time and they name check artists famous for being innovative, looking different, creating new ways of doing music and cite them as hero's....then when I look at their own art I am struck by how conservative it is and how sheep like they are in their own endeavors...it does my head in!!!
One only has to look at 90% of Bollywood to see that desi culture and art is mostly (not exclusively) about following and NOT bucking the trend....Damn most Bhangra producers look up to original artists then come out with an album which sounds like the other 99% of albums out that year (they even rerecord the same songs again!) and make videos without an ounce of creativity......(or worse - videos that look good but were done first in the non-desi world in the early nineties!)..
..What is it??? Is it just us? Do our roots and culture make us conformist sheep??? I am slowly coming to the conclusion that YES it is exactly that....someone help me please I'm having a periodic cynical depressive attack on the very music and people I have dedicated my life to since I was fifteen...(Boo Hoo)
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What do you think? When I'm in love with my roots and desi culture its the greatest feeling on earth - But other times my roots and culture make me angry - to be exact its the Conformism in desi culture that gets my creative blood boiled.
I meet producers, artists, etc all the time and they name check artists famous for being innovative, looking different, creating new ways of doing music and cite them as hero's....then when I look at their own art I am struck by how conservative it is and how sheep like they are in their own endeavors...it does my head in!!!
One only has to look at 90% of Bollywood to see that desi culture and art is mostly (not exclusively) about following and NOT bucking the trend....Damn most Bhangra producers look up to original artists then come out with an album which sounds like the other 99% of albums out that year (they even rerecord the same songs again!) and make videos without an ounce of creativity......(or worse - videos that look good but were done first in the non-desi world in the early nineties!)..
..What is it??? Is it just us? Do our roots and culture make us conformist sheep??? I am slowly coming to the conclusion that YES it is exactly that....someone help me please I'm having a periodic cynical depressive attack on the very music and people I have dedicated my life to since I was fifteen...(Boo Hoo)
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This Weeks Top 5....And why....
Let me explain why i consider the following tracks to be the best 5 tracks on the Friction show this week...
Friction's Top Five Tracks
1. Fusing Naked Beats - 'Elation' (Just Play Records)
Fusing Naked Beats back to doing what he does best - Four to the Floor house music with a Desi attitude. Reminds me of Zeenat Aman dancing in Qurbani - but during an episode of Skins!
2. Tigerstyle feat. Amrik Babbal – Maan Doabe Da (Soldier Sound Recordings)
Surely this is the best track Tigertsyle have ever done? Better than 'Mela Vich Vadja Dhol' maybe? (yes!) - it has power, confidence and a killer vocal. Real Desi Bhangra that somehow manages to sound like its from the Punjab first...not Scotland
3. Plantlife – Love Toy (Easy League Ent)
Of all the modern artists who have been influenced and/or sound like Prince this lot have nailed it on the head. Dirty, Sexy & Funny - Where's me high heels?
4. Ishq Bector – Aye Hip Hopper (Times Music)
NOTHING on my playlist is as addictive as this at the moment. First it sounds like a Nursery Rhyme - then after a few listens it sounds like Satire - then after more listens you realise its Genius fuelled Irony wearing the cloak of brilliant production. I can hear her singing it now ...."Aye Hip Hopper..."
5. G*FAM – G Who? (G*Fam Music)
Def 1 (part of G*Fam) was the man behind 'Hustle Everyday' - and his love of mixing classic Bollywood samples with UK Hip Hop hasnt diminished at all. This track is a bonafide single with a chorus that you can find in your white blood cells DNA...!
So whadda ya reckon - Whats your current Top 5?
Friction's Top Five Tracks
1. Fusing Naked Beats - 'Elation' (Just Play Records)
Fusing Naked Beats back to doing what he does best - Four to the Floor house music with a Desi attitude. Reminds me of Zeenat Aman dancing in Qurbani - but during an episode of Skins!
2. Tigerstyle feat. Amrik Babbal – Maan Doabe Da (Soldier Sound Recordings)
Surely this is the best track Tigertsyle have ever done? Better than 'Mela Vich Vadja Dhol' maybe? (yes!) - it has power, confidence and a killer vocal. Real Desi Bhangra that somehow manages to sound like its from the Punjab first...not Scotland
3. Plantlife – Love Toy (Easy League Ent)
Of all the modern artists who have been influenced and/or sound like Prince this lot have nailed it on the head. Dirty, Sexy & Funny - Where's me high heels?
4. Ishq Bector – Aye Hip Hopper (Times Music)
NOTHING on my playlist is as addictive as this at the moment. First it sounds like a Nursery Rhyme - then after a few listens it sounds like Satire - then after more listens you realise its Genius fuelled Irony wearing the cloak of brilliant production. I can hear her singing it now ...."Aye Hip Hopper..."
5. G*FAM – G Who? (G*Fam Music)
Def 1 (part of G*Fam) was the man behind 'Hustle Everyday' - and his love of mixing classic Bollywood samples with UK Hip Hop hasnt diminished at all. This track is a bonafide single with a chorus that you can find in your white blood cells DNA...!
So whadda ya reckon - Whats your current Top 5?
Songwriters Resource Network
Songwriters Resource Network is a trusted news and education resource for songwriters, song lyricists and music composers.
The mission of Songwriters Resource Network is to inform and empower songwriters by providing reliable information about all aspects of songwriting, lyric writing, composition and music publishing.
Our goal is to help aspiring songwriters improve their songwriting craft, find contacts and opportunities, and succeed in the music business.
Songwriters Resource Network provides:
* Up-to-date and informative articles on the craft and business of song writing
* Educational and networking opportunities to help songwriters open doors in the music business
* Events to promote and celebrate the art of song writing, lyric writing and music composition
WHO WE ARE:
Songwriters Resource Network is composed of professional-level songwriters, recording artists, song publishers, music producers, songwriting educators and music-industry professionals. Each supports nonprofit organizations for songwriters. Each shares their songwriting expertise and experience to help talented, motivated songwriters. (SRN Mission Statement)
Songwriters Resource Network is free to songwriters, lyricists and composers. No membership is required.
WHAT YOU'LL FIND:
* Helpful tips on how to write songs and market your music. Educational articles on lyric and song writing.
* Hundreds of music-industry contacts, including song publishers seeking great songs and music
* Free ads for songwriters seeking music producers and song publishers
* Free ads for song lyricists seeking music composers and composers seeking skilled lyricists
* Tips and articles on how to get heard. Advice on how to connect with established song publishers
* How to find opportunities in film, television and advertising
* How to copyright songs and copyright music.
* How to find song writing and music publishing opportunities
* How to find song writing partners, song publishers, music producers and recording artists
* Opportunities to get your songs heard: Recommended songwriting contests, annual Lyric Writing contest and Instrumental competition for music composers
MARKETING YOUR SONGS:
Songwriters Resource Network provides educational tools to help talented, motivated songwriters find success in the music business.
The actual work of promoting your music and marketing your songs, however, is up to you.
Nobody is likely to undertake the demanding job of marketing songs for songwriters who lack basic understanding of how the music business works. Songwriters must be willing to market their own songs to be successful.
THE BOTTOM LINE:
Talent and skills are necessary to achieve success as a songwriter, a lyricist or a music composer. However, educating yourself about the music business, building a support network and learning to market your songs are equally important.
Look around this website. Study articles that relate to your specific interests in song writing. Learn about music publishing and the music business. Find opportunities to network with other songwriters, musicians, lyricists and music composers.
Reach out to people who can help you. Create opportunities to show your work. Let people know your song writing goals. Listen to suggestions and learn from feedback you receive.
To become a professional songwriter, devote as much time and energy to songwriting as you would to any other profession. After all, it's no easier to become a songwriter than it is to become a teacher, car mechanic, dental hygienist or pilot. Each requires applied study, aptitude and commitment.
Finally, whether you write songs for personal enjoyment or professional ambition, your musical voice and your songs are uniquely your own. Only you can give them life.
The mission of Songwriters Resource Network is to inform and empower songwriters by providing reliable information about all aspects of songwriting, lyric writing, composition and music publishing.
Our goal is to help aspiring songwriters improve their songwriting craft, find contacts and opportunities, and succeed in the music business.
Songwriters Resource Network provides:
* Up-to-date and informative articles on the craft and business of song writing
* Educational and networking opportunities to help songwriters open doors in the music business
* Events to promote and celebrate the art of song writing, lyric writing and music composition
WHO WE ARE:
Songwriters Resource Network is composed of professional-level songwriters, recording artists, song publishers, music producers, songwriting educators and music-industry professionals. Each supports nonprofit organizations for songwriters. Each shares their songwriting expertise and experience to help talented, motivated songwriters. (SRN Mission Statement)
Songwriters Resource Network is free to songwriters, lyricists and composers. No membership is required.
WHAT YOU'LL FIND:
* Helpful tips on how to write songs and market your music. Educational articles on lyric and song writing.
* Hundreds of music-industry contacts, including song publishers seeking great songs and music
* Free ads for songwriters seeking music producers and song publishers
* Free ads for song lyricists seeking music composers and composers seeking skilled lyricists
* Tips and articles on how to get heard. Advice on how to connect with established song publishers
* How to find opportunities in film, television and advertising
* How to copyright songs and copyright music.
* How to find song writing and music publishing opportunities
* How to find song writing partners, song publishers, music producers and recording artists
* Opportunities to get your songs heard: Recommended songwriting contests, annual Lyric Writing contest and Instrumental competition for music composers
MARKETING YOUR SONGS:
Songwriters Resource Network provides educational tools to help talented, motivated songwriters find success in the music business.
The actual work of promoting your music and marketing your songs, however, is up to you.
Nobody is likely to undertake the demanding job of marketing songs for songwriters who lack basic understanding of how the music business works. Songwriters must be willing to market their own songs to be successful.
THE BOTTOM LINE:
Talent and skills are necessary to achieve success as a songwriter, a lyricist or a music composer. However, educating yourself about the music business, building a support network and learning to market your songs are equally important.
Look around this website. Study articles that relate to your specific interests in song writing. Learn about music publishing and the music business. Find opportunities to network with other songwriters, musicians, lyricists and music composers.
Reach out to people who can help you. Create opportunities to show your work. Let people know your song writing goals. Listen to suggestions and learn from feedback you receive.
To become a professional songwriter, devote as much time and energy to songwriting as you would to any other profession. After all, it's no easier to become a songwriter than it is to become a teacher, car mechanic, dental hygienist or pilot. Each requires applied study, aptitude and commitment.
Finally, whether you write songs for personal enjoyment or professional ambition, your musical voice and your songs are uniquely your own. Only you can give them life.
Mr. Big
Mr. Big combined two popular musical trends of the rock scene in the 1980s: a particular brand of hard rock, often referred to as cock-rock, focused on melodies and listener-friendly choruses, and impressive technical proficiency, then called shredding. The seeds for the group were sown when bass player Billy Sheehan (bass guitarist for guitarist Steve Vai) left David Lee Roth's solo band (also with Vai) in 1988. Almost immediately after his exit, Sheehan began piecing together a new outfit, with the help of Mike Varney from Shrapnel Records, a label specialized in the shredding genre. However, what Sheehan did not know was that he was about to form one of the most revered "supergroups" to come out of America.
The band, now managed by former Journey and Santana manager Herbie Herbert, was composed of Shrapnel artist and former Racer X guitarist Paul Gilbert, Pat Torpey on drums, and singer Eric Martin, who had a number of album releases throughout the 1980s with his Eric Martin Band. By 1989, the newly formed quartet had already inked a recording contract with Atlantic, resulting in the release of a self-titled debut the same year. Despite causing a buzz amongst musicians, the album failed to cross over to a mainstream rock audience stateside; however, Mr. Big was an immediate smash success overseas in Japan.
The band's breakthrough came with their second album, Lean Into It, in 1991. It featured two ballads that established the band as a commercial success: "To Be With You" and "Just Take My Heart", as well as rock songs that remained as staples of their live set for years to come, such as "Green-Tinted Sixties Mind". Other releases followed, Bump Ahead in 1993 and Hey Man in 1996, but the band never replicated its earlier success in the US market. The song "Take Cover" was included on the soundtrack to the cartoon series Mega Man released in 1995, which is based on the best selling video game franchise of the same name by Capcom, and was played during the end credits of the episodes "Bad Day At Peril Park" and "Mega X". In Japan, on the other hand, they continued to sell out tours, resulting in a number of live releases for the Japanese market throughout their career (from Raw Like Sushi in 1990 to Mr. Big In Japan in 2002).
Paul Gilbert left the band in 1997 to pursue a solo career and eventually reform Racer X. Richie Kotzen, another Shrapnel artist and former guitarist for Poison, was brought in to take on guitar duties, also contributing occasional vocals. Two studio albums were released by this lineup: Get Over It in 2000 and Actual Size in 2001, which featured the single "Shine", used as the ending theme in the animation series of Hellsing.
Tensions in the band led to their demise—contractual obligations for yet another Japanese tour were fulfilled in the form of a "farewell tour". The multi-million record-selling band broke up in 2002, many years since their last US hit, but while still enjoying great popularity in Japan. All of the former members have gone on to other projects in the music industry.
The band also contributed the soundtrack to the 1993 Sega Mega CD release of The Amazing Spider-Man vs. The Kingpin.
On May 7, 2008, a Mr. Big "almost-reunion" took place at guitarist Paul Gilbert's solo show at the House of Blues in West Hollywood, California. Paul invited his former MR. BIG bandmates Billy Sheehan and Pat Torpey, along with fellow ex-Mr. Big guitarist Richie Kotzen (he joined the band as Paul's replacement) to his stage and they played two songs: "30 Days in the Hole" (Humble Pie song with Kotzen on vocals), and "Daddy, Brother, Lover, Little Boy" (with Gilbert and Mike Szuter from Paul's band on vocals).
The band, now managed by former Journey and Santana manager Herbie Herbert, was composed of Shrapnel artist and former Racer X guitarist Paul Gilbert, Pat Torpey on drums, and singer Eric Martin, who had a number of album releases throughout the 1980s with his Eric Martin Band. By 1989, the newly formed quartet had already inked a recording contract with Atlantic, resulting in the release of a self-titled debut the same year. Despite causing a buzz amongst musicians, the album failed to cross over to a mainstream rock audience stateside; however, Mr. Big was an immediate smash success overseas in Japan.
The band's breakthrough came with their second album, Lean Into It, in 1991. It featured two ballads that established the band as a commercial success: "To Be With You" and "Just Take My Heart", as well as rock songs that remained as staples of their live set for years to come, such as "Green-Tinted Sixties Mind". Other releases followed, Bump Ahead in 1993 and Hey Man in 1996, but the band never replicated its earlier success in the US market. The song "Take Cover" was included on the soundtrack to the cartoon series Mega Man released in 1995, which is based on the best selling video game franchise of the same name by Capcom, and was played during the end credits of the episodes "Bad Day At Peril Park" and "Mega X". In Japan, on the other hand, they continued to sell out tours, resulting in a number of live releases for the Japanese market throughout their career (from Raw Like Sushi in 1990 to Mr. Big In Japan in 2002).
Paul Gilbert left the band in 1997 to pursue a solo career and eventually reform Racer X. Richie Kotzen, another Shrapnel artist and former guitarist for Poison, was brought in to take on guitar duties, also contributing occasional vocals. Two studio albums were released by this lineup: Get Over It in 2000 and Actual Size in 2001, which featured the single "Shine", used as the ending theme in the animation series of Hellsing.
Tensions in the band led to their demise—contractual obligations for yet another Japanese tour were fulfilled in the form of a "farewell tour". The multi-million record-selling band broke up in 2002, many years since their last US hit, but while still enjoying great popularity in Japan. All of the former members have gone on to other projects in the music industry.
The band also contributed the soundtrack to the 1993 Sega Mega CD release of The Amazing Spider-Man vs. The Kingpin.
On May 7, 2008, a Mr. Big "almost-reunion" took place at guitarist Paul Gilbert's solo show at the House of Blues in West Hollywood, California. Paul invited his former MR. BIG bandmates Billy Sheehan and Pat Torpey, along with fellow ex-Mr. Big guitarist Richie Kotzen (he joined the band as Paul's replacement) to his stage and they played two songs: "30 Days in the Hole" (Humble Pie song with Kotzen on vocals), and "Daddy, Brother, Lover, Little Boy" (with Gilbert and Mike Szuter from Paul's band on vocals).
Metallica
No doubt if the name band Metallica, labeled as one of the legendary band and sandstone. So, if Metallica is sepatutnyalah receive the award, which is the world.
Now, the name of the band dipunggawai James Hetfield (vocal and guitar), Kirk Hammet (guitar), Robert Trujillo (bass) and Lars Ulrich (drums) are nominated to enter Rock and Roll Hall of Fame 2009 future.
In addition to Metallica, there are other legendary bands, such as hip-hop dedengkot Run DMC, old punk band bergenre The Stooges, Chic, and guitarist Jeff Beck.
Owner hits' Nothing else Matter 'will compete with other musicians compete for five places. Previously some time ago, Metallica was also eligible to receive the award at the prestigious place.
For musicians and bands that want to diabadikan it, most do not have to be perfect during the 25 years since the release of their first single.
Maroon 5
Not launch the album, planned, early December upcoming band Maroon 5 will be meliris album again.
Bands that berangotakan Adam Levine (vocals, guitar), James Valentine (guitar, backing vocals), Jesse Carmichael (keyboards, backing vocals), Mickey Madden (bass guitar, backing vocals) and Matt Flynn (Drums) will launch the album titled "Call & Response: The attribution Remix Album."
If there is no obstruction, the album contains 18 songs that will be released Dec. 9 the future. This album is little changed, other than the more nuanced REMIX, some musicians and Dj also participated.
Some songs take diremix by famous DJs and musicians, such as, Pharrell Williams, Swizz Beats, Cool Kids, David Banner, Paul Oakenfold and many more.
In this album later, most of the songs are hits them, among others, "If I Never See You Again" which re-mixed Swizz Beatz, "She Will Be a decision" by Pharrell Williams or "Wake Up Call" from David Banner, which changed to other versions.
Yngwie Malmsteen
Yngwie Malmsteen was born in Stockholm, Sweden, on 30 June 1963. Presently, he is known (by the fans, especially the severity, including my .. he .. he ..) as a solo guitarist who has extraordinary ability. Twenty years ago when he was young, kepiawaiannya berimprovisasi the guitar has impressed many fishing click rockers mania in the world. In the history of rock music, we know names such as Jimi Hendrix, Ritchie Blackmore (the urakan from Deep Purple), Joe Satriani, Steve Vai, Eddie Van Halen or Eric Clapton and Santana. They can all be the senior who is already melegenda with each game. Can be Yngwie Malmsteen deepen capabilities in many of the senior berkiblat to it. Malmsteen is a phenomenon apart, so it is not excessive in the last two decades, he didominasikan as a solo guitarist who is very talented.
When he turned 20 years old still, it was surprising the world with techniques that extraordinary game, people call as the flow of neo-Class melodic rock. This can be felt in the album perdananya "Yngwie J. Malmsteen 's Rising Force" 1984 when the new age 21 years old. However, it seems reportedly Malmsteen small at first, not so interested in the music world. Everything changed when he accidentally watching TV, which broadcast the concert Jimi Hendrix stage some time after the death of the maestro. Malmsteen a new age of 7 years with keliaran very terpukau Hendrix on the stage that can create the hysterical operation. One thing that berbekas in the head when it is Malmsteen action Hendrix burning and destroying the gitarnya stage. Malmsteen Since it is interested in playing guitar. In the day Hendrix died, when it also was born a young guitarist that is ready to replace it.
Capitalization curiosity at once extraordinary tenacity to experiment with the older type of Mosrite guitar and then proceed with the cheaper version Stratocaster, Malmsteen transform himself as a Blackmore. Guitarist is also interested in making it to learn the classical works of Bach, Vivaldi, Mozart and Beethoven. Apparently the structure of classical music is very helpful for him to find innovations in playing the guitar. Do not wrong, when the new Malmsteen aged 10 years. Mothers and female relatives of standards Flute play an important role in the success of control Malmsteen guitar in a short time.
Malmsteen had one when watching a concert violinist Russian origin, Gideon Kremer. This gives a very large influence for Malmsteen; he wants to combine knowledge about classical music with the ability to play the guitar and how to raise charisma for the spectators. At the age to 15, the world has recognized the special game Malmsteen as a trademark. Crazy. Then he had the opportunity to play in several bands and in every opportunity he always envisioned exploring berimprovisasi through the game a long instrumental. At age 18, after trying to send some demo recordings to some of the producers of the game, eventually he was invited to play with the band Steeler. Some time after that he moved to Alcatrazz, but because he was not envisioned feel better if you participate in developing the band, he decided to bersolo career. And spend her first album with the title "Rising Force" (now known as the sacred book of neoclassical rock). This album successfully bring Malmsteen as the nominator special Grammy for "Best rock instrumental performance." Not until there, he was also off the "Best New Talent," and "Best Rock guitarist" in the next year. Extraordinary indeed. Since then the name Malmsteen as sky-rebound game as a 'ridiculous' performance and create a new flow of "neoclassical rock."
Ear rock music fans as dijejali with the game almost two decades through albums Marching Out, Trilogy, Odyssey, Live in Leningrad / Trial By Fire (video obtain "gold-Selling concert video" in Moscow and Leningrad), Fire & Ice (the launched in Japan and sold more than 100,000 copies only on the first day of the launch), The Seventh Sign, Magnum Opus, Inspiration, Facing the Animal, Alchemy, and Attack!.
1997, Yngwie prove that he was eligible off more than any other guitarist is phenomenal when he successfully Rockface paper the size of the "Concerto Suite for Electric Guitar and Orchestra in Eb minor, op. 1 ", a work of classical music is filled with elements of electric guitar playing. Several years later, precisely in 2001, Yngwie find the first opportunity to collaborate with the Japan Philharmonic Orchestra in Tokyo. Throughout 2002, the album sold out almost fried peanut tanks in the world. Then in 2003, he joined the tour prestigious music that is "G3" which is a collaboration of three maestro dream is Satriani, Vai and Malmsteen. Two years recording the album from the tour this behavior hard, good DVD, CD or VHS.
In 2004, Malmsteen more work in the studio, we travel a long rest after two successive years. And he issued the album "Unleash the Fury." And some poll Virtuocity such as Amazon.com and give rating "5-star" for his work. Various earned praise throughout 2004. 2005, Yngwei not stop, right in the summer, he started a turnya titled "Fury World Tour" in the countries of Ireland and from there continue to move to other countries on this earth.
Kompilasi Album Dari Good Charlotte - Fight Song
Compilation Album From Good Charlotte - Fight Song
Good Charlotte, Greatest Remixes
Good Charlotte, Greatest Remixes
Still remember the original punk pop band that had the United States stop the concert to Indonesia some time ago? Already remember? HAVES, they are Good Charlotte.
This time, they make a surprise return with the greatest albums released remixes / Epic - Fight Song with Jay E REMIX. And their first compilation album is given the title of "Greatest Remixes," which will be released November 25, 2008.
This album contains hits, hits them in the REMIX by Jay E, Teddy Reiley, and many more. In this album, there are also 3 single that have not been released previously, namely "Anxiety", "Fight Song" and "War".
The first single from this album, namely "Fight Song" (Jay E attribution Remix), which also displays Rapper The Game, so that the single Be cool enough that collaboration between Pop Punk combined and Hip Hop.
Want to know what's the song in this compilation album, please check in!. (CDS / Ezz)
The Greatest Remixes:
1. Los Angeles World Wide (JNR SNCHZ attribution Remix)
2. Anxiety
3. Broken Hearts Parade (Marshall Arts attribution Remix life. Philieano and Tabi Bonney)
4. Fight Song (Jay-E attribution Remix life. The Game)
5. Keep Your Hands Off My Girl (Dead Execs. Attribution Remix life. Bubba Sparxx & Jung Tru)
6. I Just Want to Live (Teddy Riley attribution Remix)
7. The Anthem ($ Million junior attribution Remix life. Hollywood Holt)
8. All Black (The White Tie Affair attribution Remix life. Matthew june of Kill Hannah)
9. Little Things (Patrick Stump attribution Remix)
10. I Do not Want to Be In Love (Dance Floor Anthem) (Metro Station Version)
11. Predictable (The Stress attribution Remix Karnad Whiteboy. Rahzii Hi Power)
12. Girls and Boys (Ed Banger Records Allstars attribution Remix)
13. The Young And The Hopeless (Remixed by Mr. Hahn)
14. Hold On (The Academy Is attribution Remix)
15. Where Would We Be Now (Troublemaker attribution Remix
Good Charlotte, Greatest Remixes
Good Charlotte, Greatest Remixes
Still remember the original punk pop band that had the United States stop the concert to Indonesia some time ago? Already remember? HAVES, they are Good Charlotte.
This time, they make a surprise return with the greatest albums released remixes / Epic - Fight Song with Jay E REMIX. And their first compilation album is given the title of "Greatest Remixes," which will be released November 25, 2008.
This album contains hits, hits them in the REMIX by Jay E, Teddy Reiley, and many more. In this album, there are also 3 single that have not been released previously, namely "Anxiety", "Fight Song" and "War".
The first single from this album, namely "Fight Song" (Jay E attribution Remix), which also displays Rapper The Game, so that the single Be cool enough that collaboration between Pop Punk combined and Hip Hop.
Want to know what's the song in this compilation album, please check in!. (CDS / Ezz)
The Greatest Remixes:
1. Los Angeles World Wide (JNR SNCHZ attribution Remix)
2. Anxiety
3. Broken Hearts Parade (Marshall Arts attribution Remix life. Philieano and Tabi Bonney)
4. Fight Song (Jay-E attribution Remix life. The Game)
5. Keep Your Hands Off My Girl (Dead Execs. Attribution Remix life. Bubba Sparxx & Jung Tru)
6. I Just Want to Live (Teddy Riley attribution Remix)
7. The Anthem ($ Million junior attribution Remix life. Hollywood Holt)
8. All Black (The White Tie Affair attribution Remix life. Matthew june of Kill Hannah)
9. Little Things (Patrick Stump attribution Remix)
10. I Do not Want to Be In Love (Dance Floor Anthem) (Metro Station Version)
11. Predictable (The Stress attribution Remix Karnad Whiteboy. Rahzii Hi Power)
12. Girls and Boys (Ed Banger Records Allstars attribution Remix)
13. The Young And The Hopeless (Remixed by Mr. Hahn)
14. Hold On (The Academy Is attribution Remix)
15. Where Would We Be Now (Troublemaker attribution Remix
Group band Radja
Radja is the name of a band and the origin of Jakarta, beginning with personnel Kasela Ian (vocalist), Moldy (guitarist), Seno (bassist) and Adit (drummer). India stand on 17 March 2001 with the debut album Leaves Past with hitsnya Let me make.
India's success story started in 2001, after a music demo received by a music company and successfully released debut music rekamanya. Unfortunately due menejemen company, the album fails in the market. Failure will also bear on India trip, including two people out personelnya, Shuma and Adit.
Beginning in 2003, Indra began to join as a bass player, who then invites kenalannya Seno and then held to drum rants.
With the formation, rants released second album, titled the Human Ordinary Cinderella hits with songs and honest. The album was successful in the market although considered less than maximum in the marketing, so that the album made the album repackage it given the title of New Step (2005), which contains songs in their previous albums plus three new songs. India is the third album also successfully pass through the sales target.
In 2006 they re-launched its fourth album titled Because artsite I There There. Once again, this album also received a good response in the community. Cricket songs popular didengdangkat community.
And at the end of 2006, Argentina filed with the re-created the spiritual album that was launched during the night. Rohan this album is the fifth album rants and given the title of the Moon in 1000.
Finally, early 2007, Argentina back into the recording studio to resemble their latest album. Their sixth album titled 6 To All.
India's success story started in 2001, after a music demo received by a music company and successfully released debut music rekamanya. Unfortunately due menejemen company, the album fails in the market. Failure will also bear on India trip, including two people out personelnya, Shuma and Adit.
Beginning in 2003, Indra began to join as a bass player, who then invites kenalannya Seno and then held to drum rants.
With the formation, rants released second album, titled the Human Ordinary Cinderella hits with songs and honest. The album was successful in the market although considered less than maximum in the marketing, so that the album made the album repackage it given the title of New Step (2005), which contains songs in their previous albums plus three new songs. India is the third album also successfully pass through the sales target.
In 2006 they re-launched its fourth album titled Because artsite I There There. Once again, this album also received a good response in the community. Cricket songs popular didengdangkat community.
And at the end of 2006, Argentina filed with the re-created the spiritual album that was launched during the night. Rohan this album is the fifth album rants and given the title of the Moon in 1000.
Finally, early 2007, Argentina back into the recording studio to resemble their latest album. Their sixth album titled 6 To All.
History Music SKA
We must learn to understand the meaning of a journey in time.
Once the case with the history of music Remix.
World War II is that change everything. The power of the English country
jajahannya collapsed before World War II breaks & Shop at the mid-war period.
English memeberikan independence to the country after receiving pressure jajahannya
from the colonial government. In 1962 Jamaica establish self-government
although still a commonwealth country. Jamaica Culture & music begin
terefleksi new optimism in the people's aspirations and the liberal.
40'an years since Jamaica has adopted & adapt various forms of music from the United States.
At the time of World War II ended, so many bands in Jamaica, which plays music, dance music.
Groups such as Eric Dean Orchestra with trombonisnya Don Drummond & master gitarisnya
Ernest Ranglin affected by the musician-American jazz musicians such as Count Bassie, Erskine
Hawkins, Duke Ellington, Glenn Miller and Woody Herman. In 50'an fame bands
jazz in the United States replaced by groups of small and tends to play
Rhythmic BOP / RhyThm & blues sound. Jamaican musicians who often visit the United States
affected & patterns bring the game music to the origin. Local bands
in Jamaica Count Smith as the Blues Blaster, Sir Nick The Champ & The Great Tom
Sebastian started the new style of play.
In 1954, the largest first-time performances held in the city of Kingston Place
in the Ward Theater. Bands play traditional folk-mento rhythm calypso-taking
and often the bands at the event to fill in hotels in Jamaica
& Around the island. At the end of the year 50'an influence-the influence of jazz, R & B, and mento
(a kind of calypso music) merge into a new form called 'shuffled'.
Rhythmic get shuffled popularity owing to hard work musicians, musicians such as the Neville
Esson, Owen Gray, The Matador Overtakers & The Allstars. Many studios and recording companies
The development and continue to strive to find new talents.
The Jamaican Broadcasting Corporation also took the spirit to the musicians, musicians
youth through the events broadcast on the radio.
Two people are very influential in the development of music in Jamaica is in 50'an
Duke Reid and Clement Seymour Dodd. Together with his wife, Duke Reid has shops' Treasure Island
Liquor 'is located in the way of Bond (Bond street). Reid Soundsystem known by the name
'The Trojan', taken from the note written on truknya. Trucks are normally used
as the transportation of goods for the store. Dodd named soundsystem belong 'Sir Coxsone
Downbeat 'taken from the name of the original Yorkshire bowler, Coxsone. Throughout the end
decades, the second person to lead the competition in the music business.
Although more closely with Coxsone 'Ghetto' (villages populated nation or group
certain) is that Reid Awarded as the 'King of sound & blues' at Club Success
(The event) in 1956, 1957, 1958.
1962, during which Jamaica is infatuated imitate music United States, Cecil Bustamente
Campbell then known by the name 'Prince Buster', know that something new
is required at the time. He has called a guitarist Jah Jerry Yang
and experiment in music with the 'beat' afterbeat 'instead
'downbeat'. Until the current afterbeat tap into the essence of singkop (exchange
Rhythmic) typical of Jamaica. Remix is born. Soundsystem / recording studios also started recording of the work
them. With no label on Vinyl (record) with the aim that
memperolehkeuntungan among competitors. So that others can not see
what played & 'steal' to sondsystem their own.
War between the soundsystem is to culminate at the donors threatened by segerombol
Those who cause problems. These people called 'Dance Hall Crashers'.
Although Mono Recording facilities are still primitive, is the courage of antusiasnya
Remix music that will allow for a commercial music from Jamaica is the first time.
And the fact Remix dance music known as the people of Jamaica.
Throughout the years 60'an in ghetto areas of Jamaica are young men who seek
job. At the time it is very difficult in the can. Initially, the youths are not interested
Remix music with optimism. Young men are created identity as a group
'Rude Boy' (a trend among the youth that have occurred in the early years 40'an)
To 'rude' means a community where a person is not considered useful.
Remix of the style of dance Rude Boy has a distinctive characteristic, more slowly, with whimsy
as if someone punch. Boy have a rude koneksitas with 'Scofflaws' (people
always against the law) and other criminal world. This terefleksikan in the lyrics, lyrics
Song Remix. (note: style of dress appearance Rude Boy with the pants that
mengatung only merely feet). Remix music once again changed to reflect
'Mood of the rude' to add tension in the game, which is adjusted with the bass
style before the 'free-style walking bass'.
Many of the crowd, many speculate in the city of Kingston to gain fame
in the music industry is turning to marijuana when the seller failed & capital
progressively thinner. Many also are involved in the criminal (envisaged in the film
'The Harder They Come' is performed by Jimmy Cliff ... this is the movie narrate
about the life journey Jimmy Cliff)
Two political parties in Jamaica establish banser armed. Public opinion is
led the opposition to a group of Rude Boy & the use of weapons. Regulations
ownership of any firearm ditilik back through the period after which ownership
weapons are not permitted to original cause concern in the community. Anyone who
who have illegal weapons, is a lifetime imprisonment
Artist & producer support even 'reflection' over prilaku groups through Rude Boy
Remix music. Support for not using weapons terefleksi in songs such as
"Lawless street" from the group Soul Brothers, "Gunmen coming to town" The Heptones.
Duke Reid memproduseri one of the group The Rude Boy Remix (shuffling down Bond street)
C.S. Dodd also participate memproduseri young group that has a vision of music as they
'rudies' groups, namely The Wailers (Bob Marley, Peter Tosh, Bunny Wailer).
Prince Buster find someone that has a character of myth as the Rude Boy
Judge Dread. The song "007 Shanty Town" is sung by Desmond Dekker is a
in the brilliant work of documenting the behavior of Rude Boy into a song (successful
enter the order charts to 14 in the UK Charts)
Themes rude boy still dominate over the period Remix, and the popularity soar along
summer 1964. Beat Remix slower & Rocksteady even born. Wave
Remix the first ended in 1968 (Rocksteady is the other story: Rocksteady
Reggae music and then delivered. Reggae music popularity in the UK as in the
Skinhead; group adopted the Rastafarian Reggae music & lyrics, the lyrics tend to play
forced the teachings of Rastafari & views Relijiusnya, Reggae also developing a 'Dub',
'Dancehall', & & so forth ... ...)
Entering the second wave of the previous ... let's see some other historical Remix:
in 1962, when the British promise guarantees are not limited to the
The immigrants came from countries persemakmurannya, race riots there.
Finally Remix & Reggae music is popular. Brought from Jamaica by many musicians &
berimigrasi producers that participated, including the 'Trojan' & a birth Cuba, Laurel
Aitken. In the years 70'an, Rude Boy image update & tar-expression in merger
2 types of music that is still quite new in the UK by Punk & Reggae band
The Clash (Rudie can not fail). Between the mid-to late 70'an years, bands such as
The Coventry Automatics chose to play instead of Reggae Remix because according to
Jerry Dammers (founder of the band), play music more easily Remix & easy.
The Coventry Automatics change the name to The Specials AKA The Automatics,
then changed again to The Specials.
Next on the 1979 Jerry Dammers establish 2Tone Records. The desire Dammers
shows such as Prince Buster in the early years 60'an create something new.
Black & white into symbols. Who was born with 2Tone called Remix. Logo of the 2Tone
cartoon images of men dressed in a black suit with white shirt, black tie, hat 'Pork pie'
glass eye black, white socks and shoes, loafers, black became the official logo
character in the name 'Walt Jabsco' (taken from the name of Walt Disney, founder of the film cartoons
& Jabsco means marijuana in the Latin language slang). Created by Dammers own
by Peter Tosh leader in a group photo early The Wailers, which can
look at the album cover of "The Wailing Wailer Studio One Realease '.
At the time of race riots are happening, and the organization rasis' National Front 'growing
rapid, wear black & white band members will consist of multi-racial, summon
songs themed around the 'unity' while the country is divided by issues of religion
racial. Similarly, with the Remix music in Jamaica, a situation that occurred at that time
terefleksi into song lyrics, such as "Racist Friend" The Specials AKA. Bands such as
Madness, The Beat, the Selecter, The Specials & The Bodysnatchers create a Remix
something fresh to the process numbers Remix of the classic Prince Buster (Roughrider,
Madness, Too hot, etc..) & Artists pertamanya.Band other waves that are not included
2Tone but was associated with the movement 2Tone is Bad Manners. There was also a contradiction
with the first wave of artists with the band 2Tone (Rico Rodriguez is the trombone player
the additional player in the group The Specials, children of students from trombone player
Don Drummond & famous often used as a studio musician do Jamaica)
In the end Chrysalis Records 2Tone buy from Dammers signed with the decision
contract with the bands 2Tone other. Including, among others: The Specials,
The Selecter, Madness, Rico Rodriguez, The Swinging Cats, The Friday Club, The Bodysnatchers,
The Hisons, JB Allstars, Specials AKA, The Apollonairs, The Beat (in the United States in the know
with the name 'The English Beat' because there are already using the name of the band The Beat) & a
single from Elvis Costello. (note: Elvis Costello is the single titled "I can not
stand up for Falling down "to the problems and not selling. Copy tracks
given free to fans at Costello run. Costello
memproduseri debut album The Specials & a guest at the same time producers to singing.pics
The Specials AKA single, entitled Nelson Mandela 12 ".
1985 2Tone label disperse. Dammers experienced bankruptcy of the company Chrysalis.
2Tone bands to the popularity of tahun1978-1985 however is not
2Tone only play the music Remix. Among the other bands is The Tigers,
My Remix City, the Akrylykz (with Roland Gift on the tenures of sax, and then join the
together with former members of The English Beat Cox, & Steele recently become a singer
in the Fine Young Cannibals), The Employees, The Piranhas, and many more ...
This close second wave music Remix ... on the third wave: the end
2Tone & second wave, a narrow Remix music but the music does not become outdated.
Is The Toasters (never released a single under the name 'Not Bob Marley'), Bim Bim scale,
The Untouchables, which made Fishbone & tradition in the mix with the elements beat Remix
other music elements such as pop, rock and beat-beat the other.
The existence of the third wave Remix music consists of various forms with the combine
almost every type of music that can be approximately dikawinkan pace with the Remix. Bands such as
Jump With Joey, Hepcat, Yebo, NY Remix Jazz Ensemble & Stubborn Allstars still play on
Remix Jamaican roots. Operation Ivy, Voodoo Glow Skulls, Mighty Mighty Bosstones, etc.. use
punk energy to create the Remix-core. Regatta 69, Fillibuster, Urban Blight, etc.. still
survive in the shade Reggae / Rocksteady beat. Punch The Clown, Undercover S.K.A., etc.. characterize
the influence of 2Tone style. What is interesting is the origin of Florida band, Pork Pie combine Tribes
Remix beat with traditional Irish music. Another thing that is more interesting is the band
The Brownies, which blend with any Remix!
Rude Boy image / Rude Girl back in the present third wave, but this time not as
insurgents. But as a bigot with Suporter Remix music. This third Digelombang
there are also things that did not exist early in the first wave (some of them
there are not understand) such as' Straight Edge 'with the logo' X 'hand, boneheads,
OI / SKA, Skinhead Against Racial Prejudiced (SHARP's) also the concepts' Sell outs'.
There are some aspects of them that has not changed: Remix is still a music among teenagers,
Remix each performance can be witnessed by all ages and not too expensive for
mengakomodasikannya. Besides Remix also still beat establish a unique and harmonious although
combined with elements of other music. And people still enjoy it a lot.
Once the case with the history of music Remix.
World War II is that change everything. The power of the English country
jajahannya collapsed before World War II breaks & Shop at the mid-war period.
English memeberikan independence to the country after receiving pressure jajahannya
from the colonial government. In 1962 Jamaica establish self-government
although still a commonwealth country. Jamaica Culture & music begin
terefleksi new optimism in the people's aspirations and the liberal.
40'an years since Jamaica has adopted & adapt various forms of music from the United States.
At the time of World War II ended, so many bands in Jamaica, which plays music, dance music.
Groups such as Eric Dean Orchestra with trombonisnya Don Drummond & master gitarisnya
Ernest Ranglin affected by the musician-American jazz musicians such as Count Bassie, Erskine
Hawkins, Duke Ellington, Glenn Miller and Woody Herman. In 50'an fame bands
jazz in the United States replaced by groups of small and tends to play
Rhythmic BOP / RhyThm & blues sound. Jamaican musicians who often visit the United States
affected & patterns bring the game music to the origin. Local bands
in Jamaica Count Smith as the Blues Blaster, Sir Nick The Champ & The Great Tom
Sebastian started the new style of play.
In 1954, the largest first-time performances held in the city of Kingston Place
in the Ward Theater. Bands play traditional folk-mento rhythm calypso-taking
and often the bands at the event to fill in hotels in Jamaica
& Around the island. At the end of the year 50'an influence-the influence of jazz, R & B, and mento
(a kind of calypso music) merge into a new form called 'shuffled'.
Rhythmic get shuffled popularity owing to hard work musicians, musicians such as the Neville
Esson, Owen Gray, The Matador Overtakers & The Allstars. Many studios and recording companies
The development and continue to strive to find new talents.
The Jamaican Broadcasting Corporation also took the spirit to the musicians, musicians
youth through the events broadcast on the radio.
Two people are very influential in the development of music in Jamaica is in 50'an
Duke Reid and Clement Seymour Dodd. Together with his wife, Duke Reid has shops' Treasure Island
Liquor 'is located in the way of Bond (Bond street). Reid Soundsystem known by the name
'The Trojan', taken from the note written on truknya. Trucks are normally used
as the transportation of goods for the store. Dodd named soundsystem belong 'Sir Coxsone
Downbeat 'taken from the name of the original Yorkshire bowler, Coxsone. Throughout the end
decades, the second person to lead the competition in the music business.
Although more closely with Coxsone 'Ghetto' (villages populated nation or group
certain) is that Reid Awarded as the 'King of sound & blues' at Club Success
(The event) in 1956, 1957, 1958.
1962, during which Jamaica is infatuated imitate music United States, Cecil Bustamente
Campbell then known by the name 'Prince Buster', know that something new
is required at the time. He has called a guitarist Jah Jerry Yang
and experiment in music with the 'beat' afterbeat 'instead
'downbeat'. Until the current afterbeat tap into the essence of singkop (exchange
Rhythmic) typical of Jamaica. Remix is born. Soundsystem / recording studios also started recording of the work
them. With no label on Vinyl (record) with the aim that
memperolehkeuntungan among competitors. So that others can not see
what played & 'steal' to sondsystem their own.
War between the soundsystem is to culminate at the donors threatened by segerombol
Those who cause problems. These people called 'Dance Hall Crashers'.
Although Mono Recording facilities are still primitive, is the courage of antusiasnya
Remix music that will allow for a commercial music from Jamaica is the first time.
And the fact Remix dance music known as the people of Jamaica.
Throughout the years 60'an in ghetto areas of Jamaica are young men who seek
job. At the time it is very difficult in the can. Initially, the youths are not interested
Remix music with optimism. Young men are created identity as a group
'Rude Boy' (a trend among the youth that have occurred in the early years 40'an)
To 'rude' means a community where a person is not considered useful.
Remix of the style of dance Rude Boy has a distinctive characteristic, more slowly, with whimsy
as if someone punch. Boy have a rude koneksitas with 'Scofflaws' (people
always against the law) and other criminal world. This terefleksikan in the lyrics, lyrics
Song Remix. (note: style of dress appearance Rude Boy with the pants that
mengatung only merely feet). Remix music once again changed to reflect
'Mood of the rude' to add tension in the game, which is adjusted with the bass
style before the 'free-style walking bass'.
Many of the crowd, many speculate in the city of Kingston to gain fame
in the music industry is turning to marijuana when the seller failed & capital
progressively thinner. Many also are involved in the criminal (envisaged in the film
'The Harder They Come' is performed by Jimmy Cliff ... this is the movie narrate
about the life journey Jimmy Cliff)
Two political parties in Jamaica establish banser armed. Public opinion is
led the opposition to a group of Rude Boy & the use of weapons. Regulations
ownership of any firearm ditilik back through the period after which ownership
weapons are not permitted to original cause concern in the community. Anyone who
who have illegal weapons, is a lifetime imprisonment
Artist & producer support even 'reflection' over prilaku groups through Rude Boy
Remix music. Support for not using weapons terefleksi in songs such as
"Lawless street" from the group Soul Brothers, "Gunmen coming to town" The Heptones.
Duke Reid memproduseri one of the group The Rude Boy Remix (shuffling down Bond street)
C.S. Dodd also participate memproduseri young group that has a vision of music as they
'rudies' groups, namely The Wailers (Bob Marley, Peter Tosh, Bunny Wailer).
Prince Buster find someone that has a character of myth as the Rude Boy
Judge Dread. The song "007 Shanty Town" is sung by Desmond Dekker is a
in the brilliant work of documenting the behavior of Rude Boy into a song (successful
enter the order charts to 14 in the UK Charts)
Themes rude boy still dominate over the period Remix, and the popularity soar along
summer 1964. Beat Remix slower & Rocksteady even born. Wave
Remix the first ended in 1968 (Rocksteady is the other story: Rocksteady
Reggae music and then delivered. Reggae music popularity in the UK as in the
Skinhead; group adopted the Rastafarian Reggae music & lyrics, the lyrics tend to play
forced the teachings of Rastafari & views Relijiusnya, Reggae also developing a 'Dub',
'Dancehall', & & so forth ... ...)
Entering the second wave of the previous ... let's see some other historical Remix:
in 1962, when the British promise guarantees are not limited to the
The immigrants came from countries persemakmurannya, race riots there.
Finally Remix & Reggae music is popular. Brought from Jamaica by many musicians &
berimigrasi producers that participated, including the 'Trojan' & a birth Cuba, Laurel
Aitken. In the years 70'an, Rude Boy image update & tar-expression in merger
2 types of music that is still quite new in the UK by Punk & Reggae band
The Clash (Rudie can not fail). Between the mid-to late 70'an years, bands such as
The Coventry Automatics chose to play instead of Reggae Remix because according to
Jerry Dammers (founder of the band), play music more easily Remix & easy.
The Coventry Automatics change the name to The Specials AKA The Automatics,
then changed again to The Specials.
Next on the 1979 Jerry Dammers establish 2Tone Records. The desire Dammers
shows such as Prince Buster in the early years 60'an create something new.
Black & white into symbols. Who was born with 2Tone called Remix. Logo of the 2Tone
cartoon images of men dressed in a black suit with white shirt, black tie, hat 'Pork pie'
glass eye black, white socks and shoes, loafers, black became the official logo
character in the name 'Walt Jabsco' (taken from the name of Walt Disney, founder of the film cartoons
& Jabsco means marijuana in the Latin language slang). Created by Dammers own
by Peter Tosh leader in a group photo early The Wailers, which can
look at the album cover of "The Wailing Wailer Studio One Realease '.
At the time of race riots are happening, and the organization rasis' National Front 'growing
rapid, wear black & white band members will consist of multi-racial, summon
songs themed around the 'unity' while the country is divided by issues of religion
racial. Similarly, with the Remix music in Jamaica, a situation that occurred at that time
terefleksi into song lyrics, such as "Racist Friend" The Specials AKA. Bands such as
Madness, The Beat, the Selecter, The Specials & The Bodysnatchers create a Remix
something fresh to the process numbers Remix of the classic Prince Buster (Roughrider,
Madness, Too hot, etc..) & Artists pertamanya.Band other waves that are not included
2Tone but was associated with the movement 2Tone is Bad Manners. There was also a contradiction
with the first wave of artists with the band 2Tone (Rico Rodriguez is the trombone player
the additional player in the group The Specials, children of students from trombone player
Don Drummond & famous often used as a studio musician do Jamaica)
In the end Chrysalis Records 2Tone buy from Dammers signed with the decision
contract with the bands 2Tone other. Including, among others: The Specials,
The Selecter, Madness, Rico Rodriguez, The Swinging Cats, The Friday Club, The Bodysnatchers,
The Hisons, JB Allstars, Specials AKA, The Apollonairs, The Beat (in the United States in the know
with the name 'The English Beat' because there are already using the name of the band The Beat) & a
single from Elvis Costello. (note: Elvis Costello is the single titled "I can not
stand up for Falling down "to the problems and not selling. Copy tracks
given free to fans at Costello run. Costello
memproduseri debut album The Specials & a guest at the same time producers to singing.pics
The Specials AKA single, entitled Nelson Mandela 12 ".
1985 2Tone label disperse. Dammers experienced bankruptcy of the company Chrysalis.
2Tone bands to the popularity of tahun1978-1985 however is not
2Tone only play the music Remix. Among the other bands is The Tigers,
My Remix City, the Akrylykz (with Roland Gift on the tenures of sax, and then join the
together with former members of The English Beat Cox, & Steele recently become a singer
in the Fine Young Cannibals), The Employees, The Piranhas, and many more ...
This close second wave music Remix ... on the third wave: the end
2Tone & second wave, a narrow Remix music but the music does not become outdated.
Is The Toasters (never released a single under the name 'Not Bob Marley'), Bim Bim scale,
The Untouchables, which made Fishbone & tradition in the mix with the elements beat Remix
other music elements such as pop, rock and beat-beat the other.
The existence of the third wave Remix music consists of various forms with the combine
almost every type of music that can be approximately dikawinkan pace with the Remix. Bands such as
Jump With Joey, Hepcat, Yebo, NY Remix Jazz Ensemble & Stubborn Allstars still play on
Remix Jamaican roots. Operation Ivy, Voodoo Glow Skulls, Mighty Mighty Bosstones, etc.. use
punk energy to create the Remix-core. Regatta 69, Fillibuster, Urban Blight, etc.. still
survive in the shade Reggae / Rocksteady beat. Punch The Clown, Undercover S.K.A., etc.. characterize
the influence of 2Tone style. What is interesting is the origin of Florida band, Pork Pie combine Tribes
Remix beat with traditional Irish music. Another thing that is more interesting is the band
The Brownies, which blend with any Remix!
Rude Boy image / Rude Girl back in the present third wave, but this time not as
insurgents. But as a bigot with Suporter Remix music. This third Digelombang
there are also things that did not exist early in the first wave (some of them
there are not understand) such as' Straight Edge 'with the logo' X 'hand, boneheads,
OI / SKA, Skinhead Against Racial Prejudiced (SHARP's) also the concepts' Sell outs'.
There are some aspects of them that has not changed: Remix is still a music among teenagers,
Remix each performance can be witnessed by all ages and not too expensive for
mengakomodasikannya. Besides Remix also still beat establish a unique and harmonious although
combined with elements of other music. And people still enjoy it a lot.
Music RAP
RAP
Most books, pictures and Events historians say that in a Rap / created in the Bronx, but this is not entirely correct. Rap United States that it is now starting around 1970 in the Boogie Down Bronx. To understand the overall, we must return to the past: Starting in the African Gospel ..
Let's return to its roots, in Africa - to more-specific tribe-tribe there enshrine them in the history of the temple, the temple ritmik and libretto. Because there are many tribes, many of the local languages and tribes of their language is often not discarded / forgotten. So, to keep the history and legends and songs they use to create ritmik. Because the white slave traders to come and separate them from their families and tribes.
African native people bring their stories and rima with the European slave traders. They (the slave traders) do not allow the slaves to speak using "Mother Language" (african native language). The slave traders are thinking that they plan to create a tumultuous. Although they dirantai. But they are allowed to sing. This makes the slaves survive and feel better. The slave women in violent and often pregnant by the crew (the adjuvant slave traders). Slave woman to be a bonus for the crew. Trips like this can take up to a month. And when there is a slave around 1000, 600-700 survivors, it is a good way. And when the slave woman pregnant, they will get a better price (because there is a baby in the womb slave women). Then the employer (slave owners) apply the same to get more slave (slave rape to pregnant women and children, the results of the act made in the slave again). They, employers even provide their guests one or two female friends to sleep ...
When they sing their work more viable because the content is nyanyiannya about where they come from and the history of their tribes. Seelanjutnya time, because employers are more software, the slaves are allowed each day holiday week. On the day of the week, the slaves went to church and sing songs of freedom. This is then changed into the Gospel choir.
Blues.
When prohibited slavery, black leather still be hunted, hanging, tortured and worse. Time is of a very dark and depressing. Songs sound sad and wistful. Blues was the only one instrument and vocal with one voice that wield sad.
Jazz
Several years later, they began to incorporate traditional African music with European instruments. Was born and what is called Jazz. Then Soul appear as a style that is more light and frisky than R & B.
RhyThm & Blues
When artists Blues moved from rural to urban areas, music sounds more weight and style with a more Groovy. Is the main voice in the RhyThm. Then this Rhythm and Blues (R & B), and the time it is the only type of black music. Known also by the white audience at the beginning of an 50-years old. But still strong influenced by white musicians. One of the R & B artist who is famous era Lois Jordan with the song many hits in his 40s and 50's. Fats Domino transferred them to make lyrik funny groove combined with the rapid and dynamic. It makes merka the auidiens white skin. But it is not before the mid-50's ketikas-R & B played on the radio and the music that is rock & roll. R & B at the combine with elements from Jass, Country Blues, Boogie Woogie and the Gospel.
Most books, pictures and Events historians say that in a Rap / created in the Bronx, but this is not entirely correct. Rap United States that it is now starting around 1970 in the Boogie Down Bronx. To understand the overall, we must return to the past: Starting in the African Gospel ..
Let's return to its roots, in Africa - to more-specific tribe-tribe there enshrine them in the history of the temple, the temple ritmik and libretto. Because there are many tribes, many of the local languages and tribes of their language is often not discarded / forgotten. So, to keep the history and legends and songs they use to create ritmik. Because the white slave traders to come and separate them from their families and tribes.
African native people bring their stories and rima with the European slave traders. They (the slave traders) do not allow the slaves to speak using "Mother Language" (african native language). The slave traders are thinking that they plan to create a tumultuous. Although they dirantai. But they are allowed to sing. This makes the slaves survive and feel better. The slave women in violent and often pregnant by the crew (the adjuvant slave traders). Slave woman to be a bonus for the crew. Trips like this can take up to a month. And when there is a slave around 1000, 600-700 survivors, it is a good way. And when the slave woman pregnant, they will get a better price (because there is a baby in the womb slave women). Then the employer (slave owners) apply the same to get more slave (slave rape to pregnant women and children, the results of the act made in the slave again). They, employers even provide their guests one or two female friends to sleep ...
When they sing their work more viable because the content is nyanyiannya about where they come from and the history of their tribes. Seelanjutnya time, because employers are more software, the slaves are allowed each day holiday week. On the day of the week, the slaves went to church and sing songs of freedom. This is then changed into the Gospel choir.
Blues.
When prohibited slavery, black leather still be hunted, hanging, tortured and worse. Time is of a very dark and depressing. Songs sound sad and wistful. Blues was the only one instrument and vocal with one voice that wield sad.
Jazz
Several years later, they began to incorporate traditional African music with European instruments. Was born and what is called Jazz. Then Soul appear as a style that is more light and frisky than R & B.
RhyThm & Blues
When artists Blues moved from rural to urban areas, music sounds more weight and style with a more Groovy. Is the main voice in the RhyThm. Then this Rhythm and Blues (R & B), and the time it is the only type of black music. Known also by the white audience at the beginning of an 50-years old. But still strong influenced by white musicians. One of the R & B artist who is famous era Lois Jordan with the song many hits in his 40s and 50's. Fats Domino transferred them to make lyrik funny groove combined with the rapid and dynamic. It makes merka the auidiens white skin. But it is not before the mid-50's ketikas-R & B played on the radio and the music that is rock & roll. R & B at the combine with elements from Jass, Country Blues, Boogie Woogie and the Gospel.
Good music
Music is the expression of Baik.Menari music with the physical. Often, a musical work is done occasionally when instrumentation and resultant structure satisfactory; However, when done, more and more from time to time, it can be increased and changed with the appearance in some way either during exercise or improvisation. Improvisation is the idea or the idea that music terciptakan immediately (such as solo guitar or drum solo), with no thought or preparation beforehand, while the exercise is a repetition of ideas or ideas to the music to have a cohesion. A musisisi generally do well with improvisation. Music known as the inspiration relaxsasi mind and tranquility in the brain while the music associated with the spiritual life. Music is one of the components is very important in our lives, which is known to this day as inspiration. Bob Marley is one where the players said in a verse of "When the music mengenamu, you do not feel sick." Details include strongly in the music notation varies in style and period. In general, art music notation from the 17th century to the 19th century require players have a lot of knowledge about the style or the way in performance art. Now we have been able to expand creativity in connection with the technology, which experienced many changes.
Rock Tull flute
Anderson pentolan use as a flute a characteristic sound music band compared with the bands the other place and kibor guitar as the main color music. Many observers difficult mengategorikan Tull type of music, whether folk rock, hard rock, or progressive rock. In addition to the flute as a device that is unique to rock music,
composition Tull also can not reconcile with the color in the rock music period, such as the Rolling Stones played, Led Zeppelin, Deep Purple, or Genesis.Gitaris this one with so sehatinya Anderson, and even become one of the largest contributors music together Anderson Tull in advance.
The fourth album, aqualung (1971), is, will round Tull and travel had reached platinum sales (one million chips) in the U.S.. Aqualung songs and a song Locomotive Breath be compulsory on every Tull concert.
However, behind the success of the album, Tull much inconvenience encountered in the process of recording them. Schedule recordings that must be resolved in such a tight when Tull recently completed a series of European and U.S. tours. All personnel dihinggapi feel tired physically and emotionally. Studio recording a more modern cause difficulties for getting the desired sound.
Tull became the first band that released an album with only one song by the 43.55 minutes which takes two sides record. Length songs, it was not the effect of boring, even the composition of which has become a genius creation Anderson.
The musicians prove that the market would not didikte, Anderson would like to
try something new with the domination of the game flute on several albums in the early 1980s, including A, The Broadsword and The Beast, or the Under Wraps.
Kibor replace the role of refined and strengthened the players Tull kibor
Eddie Jobson as it had ever been to strengthen Roxy Music and the UK.
Tull had also works by musicians heavy diabadikan the next generation of metal, such as the Cross Eyed Mary, is the by Iron Maiden and Locomotive Breath is the origin of the band Germany, Helloween, which some time ago opened a concert in Jakarta, Yogyakarta and Surabaya.
Perhaps the only one on the DVD is that Tull The title Tull Live, Living With The Past is released in 2002 with the formation Barre (guitar), Andy Giddings (kibor), Jonathan Noyce (bass), and Perry (drums).
composition Tull also can not reconcile with the color in the rock music period, such as the Rolling Stones played, Led Zeppelin, Deep Purple, or Genesis.Gitaris this one with so sehatinya Anderson, and even become one of the largest contributors music together Anderson Tull in advance.
The fourth album, aqualung (1971), is, will round Tull and travel had reached platinum sales (one million chips) in the U.S.. Aqualung songs and a song Locomotive Breath be compulsory on every Tull concert.
However, behind the success of the album, Tull much inconvenience encountered in the process of recording them. Schedule recordings that must be resolved in such a tight when Tull recently completed a series of European and U.S. tours. All personnel dihinggapi feel tired physically and emotionally. Studio recording a more modern cause difficulties for getting the desired sound.
Tull became the first band that released an album with only one song by the 43.55 minutes which takes two sides record. Length songs, it was not the effect of boring, even the composition of which has become a genius creation Anderson.
The musicians prove that the market would not didikte, Anderson would like to
try something new with the domination of the game flute on several albums in the early 1980s, including A, The Broadsword and The Beast, or the Under Wraps.
Kibor replace the role of refined and strengthened the players Tull kibor
Eddie Jobson as it had ever been to strengthen Roxy Music and the UK.
Tull had also works by musicians heavy diabadikan the next generation of metal, such as the Cross Eyed Mary, is the by Iron Maiden and Locomotive Breath is the origin of the band Germany, Helloween, which some time ago opened a concert in Jakarta, Yogyakarta and Surabaya.
Perhaps the only one on the DVD is that Tull The title Tull Live, Living With The Past is released in 2002 with the formation Barre (guitar), Andy Giddings (kibor), Jonathan Noyce (bass), and Perry (drums).
Music REGGAE
HISTORY players REGGAE
"Music of Jamaica"
Jamaica's history, the slaves brought from Africa drum called "Burru"
so that the aransemen song called "talking Drums" (a drum
talk) from the original West Africa. "Jonkanoo" is a music culture
the mixture of African, European and Jamaica, which consists of a drum game,
rattle (musical instrument berderik) and conch piper. Events of this is when
Christmas mask equipped dancers. Jonkanoos initially is dance
farmers, the new realize that they
communicate with the drums and conch. Next year, from Calypso
Trinidad & Tobago bring Samba, which originated from United States
Central and introduced to people - people of Jamaica to form
a new mixture called Mento. Mento is the music itself
Lulu simple lyrics accompanied by guitar, banjo, Tambourine, shaker,
scraper and Rumba, or the bass. This form is then popular in
20 and 30an years and is a form of Jamaican music first
pulaunya attract all the attention. While this can still be enjoyed Mento
food tourism. SKA, which has appeared in 40 - actually 50an
mentioned by the History of Jamaican Music, influenced by Swing,
Rythym & Blues from Amrik. SKA is big band sound
aransemen with Horn (equipment piper), piano, and quickly tap "BOP". Remix
and then easily switch and produce the form of dance "skankin"
60an pad early. Jamaica early stars, among others, Byron Lee and
Dragonaires established in 1956 and is considered as a
creator "Remix". Remix and the development of the delay Hometown
60an rests in the middle of "Rock Steady" Punta tune the bass
dipopulerkan by weight, and Leroy Sibbles from the group and the Heptones
Jamaica became the first dance music in the 60an.
"Reggae N Rasta"
Bob
Marley is the star of the music "third world" so that the first
group singers Bob Marley & The Wailers, and successfully introduce
Reggae more universal. Nevertheless, many people considered Reggae
as a relic of the King Reggae Music, Hon. Robert Nesta Marley.
Furthermore with the presence of "The Harder They Come" in 1973,
Reggae added known many people. The death of Bob Marley and
to bring a world of grief, but as penerusnya
Freddie McGregor, Dennis Brown, Garnett Silk, Marcia Fiffths and Rita
Marley and the Marley family and colleagues some pop. Rasta is
Reggae music clear of weapons used by Bob Marley
Rasta to spread world wide. The music is extraordinary
Remix grow from the style elements of American R & B and
Carribean. Some states also have their opinions influence: folk music,
Pocomania church music, jonkanoo Band, the ceremony - the ritual of farmers, song
work, planting, and form mento. Nyahbingi is a form of music most
natural that often played at the meeting - a meeting Rasta,
3 using hand drum (bass, and Repeater funde: there are examples in the
Mystic Revelation of Rastafari). Reggae own roots always dive
the theme of suffering labor force (ghetto dweller), a slave in Babylon, Haile
Selassie (a kind of human deity) and hope the resumption Africa. After
Jamaican independence in 1962, poor governance and the development of the movement
Black Power in the U.S. and encourage nations Rasta. Various
monumentalpun incident occurred in a line of this development.
"What Reggae"
Reggae
itself is a combination of the accompaniment of traditional African, American and
Blues and folk (folk song) of Jamaica. This style synthesis clear
shows the authenticity of Jamaica and the pounding end - end
apart, strumming the guitar to the direction of vocal patterns that 'preach'
and the lyrics are about the religious tradition of Rastafari. Although many
commercial advantages that have been obtained from Reggae, Babylon (Jamaica),
government, which strictly limit the movement is often considered but not
Rastafarinya political aspects. "Reg-ay" can be shown from the assumption
Reggae is that the Jamaican music style that, based soul music
Ritem United States but with a 'behind' the bass and bonding
prominent. I appointed a theme often about Rastafari, protests
political, and rudie (hooligan hero). Form of the previous (Remix
& Rocksteady) looks stronger influence of African music --
United States-even though his game gitarnya also fill the 'hole - a hole'
accompaniment of drums and empty the complex. Reggae in the contemporary,
playing drums taken from the Rastafarian rituals tend mystical
and the sacred, because it will be more Hometown kalem and heavy drip
on issues of social, political and humane message.
"Do native Jamaica too!"
Reggae
the music is unique to Jamaica, Ironically its roots come from
New Orleans R & B. Ancestors terdekatnya'm always comes comes from
New Orleans R & B musicians who heard the radio broadcast from Jamaica
Amrik through their transistor radio. Based on succession
guitar fit - and been dropped out - they will putusadalah interprestasi
R & B so popular and capable in the years 60an. Furthermore, during the season
the blazing heat, the heat of those I woulda watched plus Remix
tarinya, the results of play slowed and Reggae was born. Since then,
Reggae proved to be so flat and the Blues have the power
interprestasi which also can borrow from the Rocksteady (first) and even
Rock music (now). African music, basically in life
day-to-day, both in the streets, buses, public places, the workplace does
home so that the spirit of such difficult conditions and are able
give strength and distinctive message. The result, Reggae music is not
only provide relaxation, but also bring a message of love, peace,
unity and balance and is able to release tension.
"It's Influences"
When
Jamaica has the recording scattered throughout the world, it seems difficult
mention how many genres of music popular Reggae for two
decades. Hits - Reggae hits even then was dominated by stars
Rock native started to Eric Clapton and the Stones to the Clash Fugees.
In addition, the Reggae also considered affect many enchanting dance
world apart. Culture 'dancehall' Jamaica prominent plus sound
megawatt system, the exclusive recordings, bass and drum accompaniment, and
Rap rebound with iringannya has become a cultural dance and display
The extraordinary. Innovation is the other Reggae Dub REMIX, which is
diasimilasi other popular music to become more widespread again.
"Music of Jamaica"
Jamaica's history, the slaves brought from Africa drum called "Burru"
so that the aransemen song called "talking Drums" (a drum
talk) from the original West Africa. "Jonkanoo" is a music culture
the mixture of African, European and Jamaica, which consists of a drum game,
rattle (musical instrument berderik) and conch piper. Events of this is when
Christmas mask equipped dancers. Jonkanoos initially is dance
farmers, the new realize that they
communicate with the drums and conch. Next year, from Calypso
Trinidad & Tobago bring Samba, which originated from United States
Central and introduced to people - people of Jamaica to form
a new mixture called Mento. Mento is the music itself
Lulu simple lyrics accompanied by guitar, banjo, Tambourine, shaker,
scraper and Rumba, or the bass. This form is then popular in
20 and 30an years and is a form of Jamaican music first
pulaunya attract all the attention. While this can still be enjoyed Mento
food tourism. SKA, which has appeared in 40 - actually 50an
mentioned by the History of Jamaican Music, influenced by Swing,
Rythym & Blues from Amrik. SKA is big band sound
aransemen with Horn (equipment piper), piano, and quickly tap "BOP". Remix
and then easily switch and produce the form of dance "skankin"
60an pad early. Jamaica early stars, among others, Byron Lee and
Dragonaires established in 1956 and is considered as a
creator "Remix". Remix and the development of the delay Hometown
60an rests in the middle of "Rock Steady" Punta tune the bass
dipopulerkan by weight, and Leroy Sibbles from the group and the Heptones
Jamaica became the first dance music in the 60an.
"Reggae N Rasta"
Bob
Marley is the star of the music "third world" so that the first
group singers Bob Marley & The Wailers, and successfully introduce
Reggae more universal. Nevertheless, many people considered Reggae
as a relic of the King Reggae Music, Hon. Robert Nesta Marley.
Furthermore with the presence of "The Harder They Come" in 1973,
Reggae added known many people. The death of Bob Marley and
to bring a world of grief, but as penerusnya
Freddie McGregor, Dennis Brown, Garnett Silk, Marcia Fiffths and Rita
Marley and the Marley family and colleagues some pop. Rasta is
Reggae music clear of weapons used by Bob Marley
Rasta to spread world wide. The music is extraordinary
Remix grow from the style elements of American R & B and
Carribean. Some states also have their opinions influence: folk music,
Pocomania church music, jonkanoo Band, the ceremony - the ritual of farmers, song
work, planting, and form mento. Nyahbingi is a form of music most
natural that often played at the meeting - a meeting Rasta,
3 using hand drum (bass, and Repeater funde: there are examples in the
Mystic Revelation of Rastafari). Reggae own roots always dive
the theme of suffering labor force (ghetto dweller), a slave in Babylon, Haile
Selassie (a kind of human deity) and hope the resumption Africa. After
Jamaican independence in 1962, poor governance and the development of the movement
Black Power in the U.S. and encourage nations Rasta. Various
monumentalpun incident occurred in a line of this development.
"What Reggae"
Reggae
itself is a combination of the accompaniment of traditional African, American and
Blues and folk (folk song) of Jamaica. This style synthesis clear
shows the authenticity of Jamaica and the pounding end - end
apart, strumming the guitar to the direction of vocal patterns that 'preach'
and the lyrics are about the religious tradition of Rastafari. Although many
commercial advantages that have been obtained from Reggae, Babylon (Jamaica),
government, which strictly limit the movement is often considered but not
Rastafarinya political aspects. "Reg-ay" can be shown from the assumption
Reggae is that the Jamaican music style that, based soul music
Ritem United States but with a 'behind' the bass and bonding
prominent. I appointed a theme often about Rastafari, protests
political, and rudie (hooligan hero). Form of the previous (Remix
& Rocksteady) looks stronger influence of African music --
United States-even though his game gitarnya also fill the 'hole - a hole'
accompaniment of drums and empty the complex. Reggae in the contemporary,
playing drums taken from the Rastafarian rituals tend mystical
and the sacred, because it will be more Hometown kalem and heavy drip
on issues of social, political and humane message.
"Do native Jamaica too!"
Reggae
the music is unique to Jamaica, Ironically its roots come from
New Orleans R & B. Ancestors terdekatnya'm always comes comes from
New Orleans R & B musicians who heard the radio broadcast from Jamaica
Amrik through their transistor radio. Based on succession
guitar fit - and been dropped out - they will putusadalah interprestasi
R & B so popular and capable in the years 60an. Furthermore, during the season
the blazing heat, the heat of those I woulda watched plus Remix
tarinya, the results of play slowed and Reggae was born. Since then,
Reggae proved to be so flat and the Blues have the power
interprestasi which also can borrow from the Rocksteady (first) and even
Rock music (now). African music, basically in life
day-to-day, both in the streets, buses, public places, the workplace does
home so that the spirit of such difficult conditions and are able
give strength and distinctive message. The result, Reggae music is not
only provide relaxation, but also bring a message of love, peace,
unity and balance and is able to release tension.
"It's Influences"
When
Jamaica has the recording scattered throughout the world, it seems difficult
mention how many genres of music popular Reggae for two
decades. Hits - Reggae hits even then was dominated by stars
Rock native started to Eric Clapton and the Stones to the Clash Fugees.
In addition, the Reggae also considered affect many enchanting dance
world apart. Culture 'dancehall' Jamaica prominent plus sound
megawatt system, the exclusive recordings, bass and drum accompaniment, and
Rap rebound with iringannya has become a cultural dance and display
The extraordinary. Innovation is the other Reggae Dub REMIX, which is
diasimilasi other popular music to become more widespread again.
Music JAZZ
Music JAZZ AND POPULAR IN HISTORY LINTASAN
Writing this brief, honest, born from anxiety as a writer and observer jazz, is still by the lack of public attention, especially Indonesia, against this type of music. Like classical music, most people tend to assume that this type of music is too heavy, abstract, and difficult to digested. Besides, the oft jazz as distereotipkan folk music or folk Gedongan elite, although in reality the "Gedongan", the actual children advance the fans or jazz music is still the minority groups. Even among young adults has found the common assumption that jazz is "music that parents and make us sleepy."
The emergence of the image for that jazz is less profitable originate on an understanding of the dominant that the main function of music is to entertain and give satisfaction to the audience, with the goal of benefit. The existence of technology development, namely the emergence of the voice recorder -19 at the end of the century have resulted in a shift of the art music world: if at first the music is pure expression of human feelings now, the music recording industry products and commodities trading. Capitalism music industry also has to shift the music shows that the old cultural identity of each ethnic / nation in the world, and instead there is a new type of music that the cause to fall and cultural differences that exist, that is what is called "popular music". Without the override creativity from the pop musicians (only a small part of the pop musicians have original creativity!), The composition does not pop a few forms that terstandarisasi or reproduction of the trend-moment trend, and this phenomenon tends to take place globally.
In this case noteworthy jazz appears that the transition from music as "traditional" music to the "popular". In early development, jazz can diketegorikan as an example of the music tradition, where music is the expression and represent the black community culture in the United States. As music, which represents a community for that, the development of this type of music will also feel more or less the same. The emergence of the flow swing the decade 1930's brought important changes in the way people make music, which ultimately affect the position pengkategorian jazz music among various others. Swing era marked by the emergence of jazz band with a large number of players (big band), which can be seen as a form of European style orkestrasi applied in jazz, though still maintain the characteristics of matter, such as improvisation, syncopation and blue notes (which would tone not in the third and seventh, is a characteristic blues and jazz music). With these developments, jazz music is no longer considered "barbarian" as synonymous with black. At that time, even jazz music has become popular, with his swing rhythm of the match for the dancing, and at that time also began to spread jazz to other parts of the world such as Europe or Asia. Not a little jazz composition, the composition of such powerful musician George Gershwin, Cole Porter or Duke Ellington to be appointed and take the movie, and composition, the composition is a pop song in the period.
The development of jazz, which led to the music entertainment on the cause reactions among black jazz musicians. Some of them such as Charlie Parker and Dizzy Gillespie bebop then introduce a new style of jazz on about the end of the decade 1940-an. Appearance is often called the bebop revolution as in jazz, perhaps because the eksponennya a new study that aims to restore the jazz music as in reality the "art" typical folk fuji. This marked the flow of new development with the formation of the band / combo in a more minimalist with the consequences of the breadth improvised solo space for each player. Besides the style swing with the formation of his big band, bebop and several variations that appear later (BOP hard, cool jazz, and so forth) to mainstream (mainstream) and the center of the jazz world until the present time.
Since the "revolution" bebop, jazz rather tend to develop into a genre that is more exclusive than before, and it appears increasingly separate from various other types of music. Indeed, jazz and really developed into a music "art" with a high level of difficulty as well as classical music. In the future now will be more jazz musicians found jebolan schools of music, despite the fact dedengkot early jazz almost all study disparities in self-taught. As a music genre that requires more seriousness, it is not surprising if somewhat promising start jazz audience. Moreover, at that time, the trend rock'n roll increasingly dominate the world of popular music world. If the 1940's, jazz can be found in the entertainment community and public dance parties, since around 1950 and the next will feel "shift" toward the intellectual and academic communities, where they increasingly tend to treat this music as a "disciplinary science "Segregated. If you were more, the bebop revolution, at least bring some positive effects: First, the climate in the middle of racialism that is still strong until the 1960s (remember the case tertembaknya Martin Luther King, black U.S. fighter in 1968), categorized as a jazz begin part of the "cultural level", the rock music that lifted a nation of white skin seemed more a part of the "mass culture". Second, with little escape from the form of orkestrasi style swing will allow the musicians to explore jazz-exploration with a new adopt elements of music that can enrich considered jazz. Without bebop, probably will not ever Fusion jazz, avant-garde or world music that explore ethnic music from various parts of the world.
In the latter, the more it appears that jazz always contradictory with the popular music (rock and pop), where if someone becomes one of the fans of this type of music will usually reject the other. Less known is that the second general type of music has a relationship with one another that affect each other. Is not jazz and rock grew from the roots of the same, namely, the blues? Maybe not many people know that the songs The Beatles have been much be by jazz musicians as a standard track. Or that Sting, pentolan group's New Wave-era 80s, The Police, is also a jazz musician is reliable. As a result of the interaction between jazz and music entertainment has proven to bring many new synthesis that enrich feel good in jazz and rock. For the pop or rock musicians who adopted elements of jazz will give them a better value because with that will be considered to be more qualified, while vice versa for the jazz musicians, by adopting elements of popular music will cause the paper they have more selling power.
The emergence of various forms of synthesis between jazz music and entertainment material is often a debate among music critics, on the pengkategorian therefore become increasingly blurred. Since around 1980, various flow is given a new name Adult Contemporary (AC), presumably to show that music is intended for the specific age that have been considered "adult", usually the age of 30 years to top .. Music that can be categorized as AC include:
Fusion, who was born around the end of the 1960s, when Miles Davis, an exponent bebop and cool jazz popularize a new variant to adopt elements of jazz with rock and soul / R & B. Miles of the pioneering musician-generation musician underneath. One of the most successful is Chick Corea, where he popularize the use of electronic instruments in jazz, so the Fusion and almost can not be released from the characteristics of (electronic) is. Initially, Fusion is still quite laden with jazz improvisation, but then increasingly on the pop with a simplified type of composition more interesting to taste the market. And then type the last term with the more popular Smooth jazz or sometimes also called Contemporary jazz.
"Jazzy", which means "little-bit ngejazz" or "a little jazz nuances." This term is generally used to call popular music, which adopted elements of jazz, generally in the progresi chord (which represents the element of "blue note") and rhythm (RhyThm), which is often used in jazz such as swing, soul, bossanova and so forth. Some of the initial bearer jazzy, among other groups Blood, Sweat & Tears (BS & T) and Chicago around 1968. Jazzy artists have diverse backgrounds. There are some artists / musicians who choose to jazzy music as a concept, there is a "jazzy" only because kolaborasinya with musician-jazz musicians. Thus, the color of music will be diverse. One of the most popular variant of this is the acid jazz, where the flow of new music perhaps this is the result of the "RADIO" the DJ (disc jockey) in creating a type of dance music by incorporating elements of jazz, soul, hip hop, and Funk in a composition / songs. Acid jazz is the group, such as by the Brand New Heavies and Incognito, with his beat-the dynamic of this immediately obtain acknowledgment from the younger listeners.
From a historical illustration of this is very short, can be an understanding that jazz is not only the type of music is a serious and boring. It seems more appropriate if it is said that jazz is a process of "pull overextend" between art music tradition / classic that is elitist in nature with entertainment, music, which represents the aspirations of a broader audience. From the pull overextend this and many variants appear, or the flow of jazz in the increasingly enrich the vocabulary of this music. Indeed, jazz offers diversity and musical exploration-exploration that if I ignored it, especially for young people who usually have the most curiosity. Finally authors say: good try!
Jazz In Love
ACID JAZZ
1. Still a Friend of Mine – INCOGNITO
2. Dream Come True – BRAND NEW HEAVIES
3. Girl Overboard – SNOWBOY
4. Canned Heat - JAMIROQUAI
5. Stepping Into My Life – THE JAMES TAYLOR QUARTET
6. Sweet Feelings – ESPERANTO
JAZZ STANDARDS
1. Love Is Here To Stay – ELLA FITZGERALD & LOUIS ARMSTRONG
2. Round Midnight – THELONIUS MONK
3. Route 66 – GRADY TATE
4. Stardust – HELEN HUMES
5. Summertime – JOE HENDERSON feat. CHAKA KHAN
6. Sweet Lorraine – NAT KING COLE
7. My Funny Valentine – MILES DAVIS
8. How High The Moon – DEE-DEE BRIDGEWATER
9. Mack The Knife – LOUIS ARMSTRONG
10. Spain – AL JARREAU
SWING
1. Route 66 – THE MANHATTAN TRANSFER
2. Do Nothing Till You Hear From Me – ROBBIE WILLIAMS
3. L o v e – NATALIE COLE
4. Come Rain Or Come Shine – DIANE SCHUUR
5. Beyond The Sea – GEORGE BENSON feat. COUNT BASIE ORCHESTRA
6. Let’s Fall In love – DIANA KRALL
7. Goin’ home – AL JARREAU & TAKE 6
BALLADS
1. Misty – SARAH VAUGHAN
2. Unforgettable – NATALIE COLE feat. NAT KING COLE
3. What A Wonderful World – KENNY G & LOUIS ARMSTRONG
4. Love Dance – DIANE SCHUUR
5. Tears In Heaven – JOSHUA REDMAN feat. PAT METHENY
6. For Sentimental Reason – SYAHARANI
7. You’ve Changed – GEORGE MICHAEL
BOSSA NOVA
1. The Girl From Ipanema – STAN GETZ feat. JOAO & ASTRUD GILBERTO
2. Agua de Beber – ASTRUD GILBERTO
3. Blue Bossa – BENNY CARTER
4. Mas Que Nada – SERGIO MENDES
5. Desafinado – EDEN ATWOOD
6. Corcovado (Quiet Night Of Quiet Stars) – LAURA FYGI
7. Waters Of March – AL JARREAU & OLETA ADAMS
8. One Note Samba – EARL KLUGH
JAZZ FUSION & FUNK
1. Night Rhythms – LEE RITENOUR
2. Invitation – SHAKATAK
3. Brazilian Love Affair – GEORGE DUKE
4. Come With Me – TANIA MARIA
5. Daddy’s Gonna Miss You – YELLOWJACKETS
6. Rio Rush – FOURPLAY
SMOOTH JAZZ
1. Antonio’s Song – MICHAEL FRANKS
2. Angela – BOB JAMES
3. Springtime Laughter – SPYRO GYRA feat. BASIA
4. Between The Sheets – FOURPLAY feat. CHAKA KHAN
5. You Make Me Smile – DAVE KOZ
6. Midnight In San Juan – EARL KLUGH
7. This Masquerade – GEORGE BENSON
8. After The Love Has Gone – DAVID BENOIT/R. FREEMAN feat. PHIL PERRY
JAZZY TUNES
1. Smooth Operator – SADE
2. Just The Two Of Us – BILL WITHERS & GROVER WASHINGTON JR
3. When We Make A Home – SADAO WATANABE
4. Baby You’re Mine – BASIA
5. After The Love Has Gone – EARTH WIND AND FIRE
6. Through The Fire – CHAKA KHAN
7. By The Time This Night Is Over – PEABO BRYSON & KENNY G
JAZZ INDONESIA
1. Reborn – INDRA LESMANA
2. Moliendo Café – BUBI CHEN
3. Dia – SYAHARANI
4. Menanti – TOHPATI feat. LITA ZEIN
5. Night In Samarinda – CANIZZARO
6. Take Off To Padang - KARIMATA
7. Satu Nuansa Jiwa – ERMY KULLIT
INDONESIAN JAZZY VOCALS
1. Jangan Menggoda Lagi – PETER F GONTHA & SYAHARANI
2. Andai Saja – IGA MAWARNI
3. Bisikan Hati – ANDIEN
4. Keraguan – 2D (DIAN PP / DEDDY DHUKUN)
5. Dara - CHASEIRO
6. New Sakura – FARIZ RM
7. Semurni Kasih – DIAN PRAMANA PUTRA
8. Kesan – ERMY KULLIT
9. Kembali – GLENN FREDLY
ACID JAZZ INDONESIA
1. Satu Mimpiku – THE GROOVE
2. Dan Senyumlah – SINGIKU
3. Denganmu – BUNGLON feat. NERI PER CASSO
4. Interaksi – HUMANIA
5. Universal - CLOROPHYL.
Writing this brief, honest, born from anxiety as a writer and observer jazz, is still by the lack of public attention, especially Indonesia, against this type of music. Like classical music, most people tend to assume that this type of music is too heavy, abstract, and difficult to digested. Besides, the oft jazz as distereotipkan folk music or folk Gedongan elite, although in reality the "Gedongan", the actual children advance the fans or jazz music is still the minority groups. Even among young adults has found the common assumption that jazz is "music that parents and make us sleepy."
The emergence of the image for that jazz is less profitable originate on an understanding of the dominant that the main function of music is to entertain and give satisfaction to the audience, with the goal of benefit. The existence of technology development, namely the emergence of the voice recorder -19 at the end of the century have resulted in a shift of the art music world: if at first the music is pure expression of human feelings now, the music recording industry products and commodities trading. Capitalism music industry also has to shift the music shows that the old cultural identity of each ethnic / nation in the world, and instead there is a new type of music that the cause to fall and cultural differences that exist, that is what is called "popular music". Without the override creativity from the pop musicians (only a small part of the pop musicians have original creativity!), The composition does not pop a few forms that terstandarisasi or reproduction of the trend-moment trend, and this phenomenon tends to take place globally.
In this case noteworthy jazz appears that the transition from music as "traditional" music to the "popular". In early development, jazz can diketegorikan as an example of the music tradition, where music is the expression and represent the black community culture in the United States. As music, which represents a community for that, the development of this type of music will also feel more or less the same. The emergence of the flow swing the decade 1930's brought important changes in the way people make music, which ultimately affect the position pengkategorian jazz music among various others. Swing era marked by the emergence of jazz band with a large number of players (big band), which can be seen as a form of European style orkestrasi applied in jazz, though still maintain the characteristics of matter, such as improvisation, syncopation and blue notes (which would tone not in the third and seventh, is a characteristic blues and jazz music). With these developments, jazz music is no longer considered "barbarian" as synonymous with black. At that time, even jazz music has become popular, with his swing rhythm of the match for the dancing, and at that time also began to spread jazz to other parts of the world such as Europe or Asia. Not a little jazz composition, the composition of such powerful musician George Gershwin, Cole Porter or Duke Ellington to be appointed and take the movie, and composition, the composition is a pop song in the period.
The development of jazz, which led to the music entertainment on the cause reactions among black jazz musicians. Some of them such as Charlie Parker and Dizzy Gillespie bebop then introduce a new style of jazz on about the end of the decade 1940-an. Appearance is often called the bebop revolution as in jazz, perhaps because the eksponennya a new study that aims to restore the jazz music as in reality the "art" typical folk fuji. This marked the flow of new development with the formation of the band / combo in a more minimalist with the consequences of the breadth improvised solo space for each player. Besides the style swing with the formation of his big band, bebop and several variations that appear later (BOP hard, cool jazz, and so forth) to mainstream (mainstream) and the center of the jazz world until the present time.
Since the "revolution" bebop, jazz rather tend to develop into a genre that is more exclusive than before, and it appears increasingly separate from various other types of music. Indeed, jazz and really developed into a music "art" with a high level of difficulty as well as classical music. In the future now will be more jazz musicians found jebolan schools of music, despite the fact dedengkot early jazz almost all study disparities in self-taught. As a music genre that requires more seriousness, it is not surprising if somewhat promising start jazz audience. Moreover, at that time, the trend rock'n roll increasingly dominate the world of popular music world. If the 1940's, jazz can be found in the entertainment community and public dance parties, since around 1950 and the next will feel "shift" toward the intellectual and academic communities, where they increasingly tend to treat this music as a "disciplinary science "Segregated. If you were more, the bebop revolution, at least bring some positive effects: First, the climate in the middle of racialism that is still strong until the 1960s (remember the case tertembaknya Martin Luther King, black U.S. fighter in 1968), categorized as a jazz begin part of the "cultural level", the rock music that lifted a nation of white skin seemed more a part of the "mass culture". Second, with little escape from the form of orkestrasi style swing will allow the musicians to explore jazz-exploration with a new adopt elements of music that can enrich considered jazz. Without bebop, probably will not ever Fusion jazz, avant-garde or world music that explore ethnic music from various parts of the world.
In the latter, the more it appears that jazz always contradictory with the popular music (rock and pop), where if someone becomes one of the fans of this type of music will usually reject the other. Less known is that the second general type of music has a relationship with one another that affect each other. Is not jazz and rock grew from the roots of the same, namely, the blues? Maybe not many people know that the songs The Beatles have been much be by jazz musicians as a standard track. Or that Sting, pentolan group's New Wave-era 80s, The Police, is also a jazz musician is reliable. As a result of the interaction between jazz and music entertainment has proven to bring many new synthesis that enrich feel good in jazz and rock. For the pop or rock musicians who adopted elements of jazz will give them a better value because with that will be considered to be more qualified, while vice versa for the jazz musicians, by adopting elements of popular music will cause the paper they have more selling power.
The emergence of various forms of synthesis between jazz music and entertainment material is often a debate among music critics, on the pengkategorian therefore become increasingly blurred. Since around 1980, various flow is given a new name Adult Contemporary (AC), presumably to show that music is intended for the specific age that have been considered "adult", usually the age of 30 years to top .. Music that can be categorized as AC include:
Fusion, who was born around the end of the 1960s, when Miles Davis, an exponent bebop and cool jazz popularize a new variant to adopt elements of jazz with rock and soul / R & B. Miles of the pioneering musician-generation musician underneath. One of the most successful is Chick Corea, where he popularize the use of electronic instruments in jazz, so the Fusion and almost can not be released from the characteristics of (electronic) is. Initially, Fusion is still quite laden with jazz improvisation, but then increasingly on the pop with a simplified type of composition more interesting to taste the market. And then type the last term with the more popular Smooth jazz or sometimes also called Contemporary jazz.
"Jazzy", which means "little-bit ngejazz" or "a little jazz nuances." This term is generally used to call popular music, which adopted elements of jazz, generally in the progresi chord (which represents the element of "blue note") and rhythm (RhyThm), which is often used in jazz such as swing, soul, bossanova and so forth. Some of the initial bearer jazzy, among other groups Blood, Sweat & Tears (BS & T) and Chicago around 1968. Jazzy artists have diverse backgrounds. There are some artists / musicians who choose to jazzy music as a concept, there is a "jazzy" only because kolaborasinya with musician-jazz musicians. Thus, the color of music will be diverse. One of the most popular variant of this is the acid jazz, where the flow of new music perhaps this is the result of the "RADIO" the DJ (disc jockey) in creating a type of dance music by incorporating elements of jazz, soul, hip hop, and Funk in a composition / songs. Acid jazz is the group, such as by the Brand New Heavies and Incognito, with his beat-the dynamic of this immediately obtain acknowledgment from the younger listeners.
From a historical illustration of this is very short, can be an understanding that jazz is not only the type of music is a serious and boring. It seems more appropriate if it is said that jazz is a process of "pull overextend" between art music tradition / classic that is elitist in nature with entertainment, music, which represents the aspirations of a broader audience. From the pull overextend this and many variants appear, or the flow of jazz in the increasingly enrich the vocabulary of this music. Indeed, jazz offers diversity and musical exploration-exploration that if I ignored it, especially for young people who usually have the most curiosity. Finally authors say: good try!
Jazz In Love
ACID JAZZ
1. Still a Friend of Mine – INCOGNITO
2. Dream Come True – BRAND NEW HEAVIES
3. Girl Overboard – SNOWBOY
4. Canned Heat - JAMIROQUAI
5. Stepping Into My Life – THE JAMES TAYLOR QUARTET
6. Sweet Feelings – ESPERANTO
JAZZ STANDARDS
1. Love Is Here To Stay – ELLA FITZGERALD & LOUIS ARMSTRONG
2. Round Midnight – THELONIUS MONK
3. Route 66 – GRADY TATE
4. Stardust – HELEN HUMES
5. Summertime – JOE HENDERSON feat. CHAKA KHAN
6. Sweet Lorraine – NAT KING COLE
7. My Funny Valentine – MILES DAVIS
8. How High The Moon – DEE-DEE BRIDGEWATER
9. Mack The Knife – LOUIS ARMSTRONG
10. Spain – AL JARREAU
SWING
1. Route 66 – THE MANHATTAN TRANSFER
2. Do Nothing Till You Hear From Me – ROBBIE WILLIAMS
3. L o v e – NATALIE COLE
4. Come Rain Or Come Shine – DIANE SCHUUR
5. Beyond The Sea – GEORGE BENSON feat. COUNT BASIE ORCHESTRA
6. Let’s Fall In love – DIANA KRALL
7. Goin’ home – AL JARREAU & TAKE 6
BALLADS
1. Misty – SARAH VAUGHAN
2. Unforgettable – NATALIE COLE feat. NAT KING COLE
3. What A Wonderful World – KENNY G & LOUIS ARMSTRONG
4. Love Dance – DIANE SCHUUR
5. Tears In Heaven – JOSHUA REDMAN feat. PAT METHENY
6. For Sentimental Reason – SYAHARANI
7. You’ve Changed – GEORGE MICHAEL
BOSSA NOVA
1. The Girl From Ipanema – STAN GETZ feat. JOAO & ASTRUD GILBERTO
2. Agua de Beber – ASTRUD GILBERTO
3. Blue Bossa – BENNY CARTER
4. Mas Que Nada – SERGIO MENDES
5. Desafinado – EDEN ATWOOD
6. Corcovado (Quiet Night Of Quiet Stars) – LAURA FYGI
7. Waters Of March – AL JARREAU & OLETA ADAMS
8. One Note Samba – EARL KLUGH
JAZZ FUSION & FUNK
1. Night Rhythms – LEE RITENOUR
2. Invitation – SHAKATAK
3. Brazilian Love Affair – GEORGE DUKE
4. Come With Me – TANIA MARIA
5. Daddy’s Gonna Miss You – YELLOWJACKETS
6. Rio Rush – FOURPLAY
SMOOTH JAZZ
1. Antonio’s Song – MICHAEL FRANKS
2. Angela – BOB JAMES
3. Springtime Laughter – SPYRO GYRA feat. BASIA
4. Between The Sheets – FOURPLAY feat. CHAKA KHAN
5. You Make Me Smile – DAVE KOZ
6. Midnight In San Juan – EARL KLUGH
7. This Masquerade – GEORGE BENSON
8. After The Love Has Gone – DAVID BENOIT/R. FREEMAN feat. PHIL PERRY
JAZZY TUNES
1. Smooth Operator – SADE
2. Just The Two Of Us – BILL WITHERS & GROVER WASHINGTON JR
3. When We Make A Home – SADAO WATANABE
4. Baby You’re Mine – BASIA
5. After The Love Has Gone – EARTH WIND AND FIRE
6. Through The Fire – CHAKA KHAN
7. By The Time This Night Is Over – PEABO BRYSON & KENNY G
JAZZ INDONESIA
1. Reborn – INDRA LESMANA
2. Moliendo Café – BUBI CHEN
3. Dia – SYAHARANI
4. Menanti – TOHPATI feat. LITA ZEIN
5. Night In Samarinda – CANIZZARO
6. Take Off To Padang - KARIMATA
7. Satu Nuansa Jiwa – ERMY KULLIT
INDONESIAN JAZZY VOCALS
1. Jangan Menggoda Lagi – PETER F GONTHA & SYAHARANI
2. Andai Saja – IGA MAWARNI
3. Bisikan Hati – ANDIEN
4. Keraguan – 2D (DIAN PP / DEDDY DHUKUN)
5. Dara - CHASEIRO
6. New Sakura – FARIZ RM
7. Semurni Kasih – DIAN PRAMANA PUTRA
8. Kesan – ERMY KULLIT
9. Kembali – GLENN FREDLY
ACID JAZZ INDONESIA
1. Satu Mimpiku – THE GROOVE
2. Dan Senyumlah – SINGIKU
3. Denganmu – BUNGLON feat. NERI PER CASSO
4. Interaksi – HUMANIA
5. Universal - CLOROPHYL.
music rock underground
I try to save an archive of important interesting about runutan history of Rock music in the country. For references and sources that I get from Googling the results appeared to be in someone's mail archives. Please enjoy, you would be like me, that terkaget-shocked to read.
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Start early
Fetus birth of rock underground music scene in Indonesia released from the evolution of hard-rockers rockers pioneer era 70s as a predecessor. A God Bless for example, a worker Gang, Gypsy (Jakarta), Giant Step, Super Kid (Bandung), Terncem (Solo), AKA / SAS (Surabaya), Bentoel (Leicester) to Rawe Rontek from Banten. They this is the first generation of rockers Indonesia. The term itself is actually underground magazine has used topical since the early era of 70 - an. The term is used magazine, music and lifestyle pioneer Bandung is original to identify the bands that played loud music with a style that is more `wild 'and` extreme' to measure time. Even if honest, the song played bands of the above is not the work of their own songs, but the property bands overseas kinds of Deep Purple, Jefferson Airplane, Black Sabbath, Genesis, Led Zeppelin, Kansas, Rolling Stones to ELP . Counterproductive tradition that is then recorded history
name was fragrant in the national stage. Take for example, only El Pamas, Grass Rock (Leicester), Power Metal (Surabaya), Adi Metal Rock (Solo), Val Halla (Singapore) to Roxx (Jakarta). In addition, the log also membidani the birth of rock label's first in Indonesia, Logiss Records. Product labels this is the first album
God Bless the third, "everything Black" released in 1988 and ludes up to 400,000 cassettes in the entire country.
Towards the end of the 80s era, the world time that young people are experiencing fever thrash metal music. A style of music that is more extreme metal more than heavy metal. Bands that become gods among its other Slayer, Metallica, Exodus, Megadeth, the Creator, Sodom, Sepultura to anthrax. Most large cities in Indonesia such as Jakarta, Bandung, Yogyakarta, Surabaya, Malang to Bali, scene undergroundnya first born from the extreme music genre. In Jakarta alone the metal community first appear in front of the public in early 1988. Community children's metal (the term is not popular underground) is usually hang out in the pid Pub, a small pub in the shopping area of Pondok Indah, South Jakarta. According to J. Krisna Sadrach, frontman Sucker Head, other than hangouts, the children who hang out there by the aunt Esther, owner pid Pub, given the opportunity to be manggung there. Every night there is always a week usually live show of new bands in the pid Pub and most of the bands promote the music of rock or metal.
Bands that often hang out in this scene pid Pub, among other Roxx (Metallica & Anthrax), Sucker Head (Creator & Sepultura), Commotion Of Resources (Exodus), Painfull Death, the rotor (the Creator), Razzle (GN'R) , Raucous (DRI & MOD), Cadaver, Mortus to Alien Scream (Obituary). Some bands over the next journey that makes a lot into new bands. Commotion Of Resources embryo is a gothic metal band Rubber, while the fetus is a raucous death metal band Alien Scream long. In addition, Oddie, vocalist Painfull Death further establish Sic Mynded industrial group in the United States with Rudi Soedjarwo (director of The Love Is There?). Rotor itself was formed in 1992 after guitarist cabutnya Head Sucker, Ray Sembiring feel that the concept of Head music Sucker is still time for less extreme.
The spirit that brought the forerunner of this pattern is still working long tradition of `school ', proud to be the band cover version! Among them all, only Roxx fortunate to be recording their first single, "Rock echo." This happens because they are one of the finalists Rock Festival Pan-Indonesia-V. Get a recording contract from the label is the obsession that is too flowery at that time. This recording, demo recordings can be played on the radio they are happy. When the radio station that routine mengudarakan music to rock / metal is the Bahamas Radio, Metro Radio and Radio SK Jaya. From some of the radio may be the most legendary is the Radio Mustang. They have a program called Rock N 'Rhythm of
regime every Wednesday night from 19:00 - 21:00 WIB. The radio station is even by direct disatroni was dedengkot Brazil thrash metal, Sepultura, when they come to Jakarta in June 1992. In addition to the radio medium, the mass media, which regularly review the news of rock / metal at that time only o-Magazines, Tabloid Imagery and Music Magazine Vista.
In addition to hang out at each pid Pub weekends, children's day-to-metal this day hangouts in the court of Pharmacy Retna located in Cilandak, South Jakarta. Some young celebrities who had hangouts together (groupies?) Children of this metal, among other Ayu Azhari, Cornelia Agatha, Sophia Latjuba, Karina Suwandi to Krisdayanti. Actress Ayu Azhari own even as his wife was dipersunting by (alm) Jodhie Gondokusumo vocalist who is Rubber and also
former vocalist rotor.
Not far from the Pharmacy Retna, other locations that are often used as a location rehearsal is a Feel Studio One is the studio's most legendary and exercise can be almost all the bands of rock / metal long been the capital of routine practice here. In addition pid Pub, where Venue alternative rock bands underground
manggung is on the Black Hole and restaurants Manari in the Open Air Museum Satria Mandala (embryo Posters Café). Outside, the stage art events and music on campus are often also the "infiltration" by the metal bands are. Pensi the historikal some of them are Pamsos (SMA Bulungan 6), PL Fair (SMA
Pangudi Luhur), Kresikars (SMA 82), a music-campus University
National (Pejaten), http://profiles.friendster.com/dtanph ", University of Indonesia (Kimberley), Unika Atmajaya Jakarta, Indonesia Institute of Technology (Oakley) to the University of Jayabaya (Pulomas).
Berkonsernya two supergrup international metal in Indonesia, Sepultura (1992) and Metallica (1993) gave a large contribution to the development of metal bands similar in Indonesia. Not long after Sepultura successful "burn" Jakarta and Surabaya, speed-metal band releasing an album Roxx self-titled debut under their
Blackboard label. This album cassette soon become one of the album classic speed metal era of Indonesia's 90's. The same also experienced by the rotor. Success phenomenal Metallica concert open for two days in succession in Lebak Bulus Stadium, the rotor then released the album thrash-metal's first major label in Indonesia, Behind The 8th Ball (AIRO). With recommendations from the Metallica tour manager and honorarium 30 million rupiah results twice to open the concert, Metallica, the personnel rotor (minus drummer Bakkar Bufthaim) eksodus away to Uncle Sam's country to speculate. Sucker Head itself has been recorded in the released debut album than the band
their other contemporary. Once contracted local major label, Aquarius
Musikindo, a new beginning in 1995 they released the album `The Head Sucker '. Until now, Sucker Head has recorded four albums released.
Travel the length of such underground rock in the ground water, may be new in the first half of the decade 90-anlah many start-formed scene underground scene in the actual meaning in Indonesia. In Jakarta alone consolidation in the metal scene centered around the Blok M early 1995. At the time some children are often the metal
hangouts seen in the gaming center, 6th Floor Plaza and Block M in a famous restaurant franchise there. Their activities, other than to hang out is to exchange information about local bands daninternasional, swap CDs, buy-sell t-shirts metal to plan organizing the concert. Some of the other choose to hang out in the basement of Block Mall, which is fortuitously located below ground.
In this era of hype that metal music in the digandrungi is a subgenre that is more extreme death metal, brutal death metal, grindcore, black metal to Goth / Doom metal. Some bands are more shiny in the name of this era is Grausig, Trauma, Aaarghhh, Tengkorak, Delirium Tremens, Corporation of Bleeding, adapter, Betrayer, Sadistis, Godzilla and so forth. Tengkorak grindcore band in 1996, even as the band recorded the first mini-album released independently in Jakarta with the title of `It's A Proud To Vomit Him '. This album is recorded in a professional studio in the Triple M, Jakarta, with the sound engineer Harry Widodo (previously handling the album Roxx, the rotor, Koil, Puppen and PAS).
1996 also recorded the birth of the first underground music fanzine in Jakarta, Brainwashed zine. Brainwashed published the first edition of 24 pages with a cover showing the band profile Grausig and Trauma, Betrayer and Delirium Tremens. In type on a computer-based operating system Windows 3.1 and the lay-out of the cut n 'paste traditional, Brainwashed then be 100 copies with the coffee machine images belong to the author own brother. In the next edition-edition Brainwashed also review the bands hardcore punk even Remix. After rising up to four fotokopian edition, in 1997, Brainwashed was printed with a professional style magazine cover
full color. Until 1999, only Brainwashed strong rises to seven editions, before finally in 2000 the author has the format e-zine on the Internet (www.bisik.com). Media alike that the next rising more consistent in Jakarta, among others, Morbid Noise zine, guerrilla zine, Rottrevore zine, and the Cosmic zine
so forth.
29 September 1996 marks the beginning of a new era for the development of underground rock in Jakarta. Right on the day that is the indie music event held for the first time in the Poster Café. The event called "Underground Session" is held once every two weeks on night work. Café owned by legendary rockers gaek
Ahmad Albar is the birth and raising a lot of indie music scene a new genre of music that play different and more varied. The creation scene Brit / indie pop, Remix music explosion that phenomenal era 1997 - 2000 to tawuran bulk of the historical part of a small mass, Jakarta, Bandung, also occurred in this place. Rubber,
The Brain Machine, Stepforward, Dead Pits, Bloody Gore, Straight Answers, Frontside, RU Sucks, Fudge, Jun Fan gung Foo, Be Quiet, Bandempo, Kindergarten, RGB, Burning Inside, Sixtols, Looserz, HIV, Planet Earth, hospital, Fable, hairpin, Naif, toilets Sounds, Agus Sasongko & FSOP is some small bands of `satisfied 'manggung there.
10 March 1999 is the day the death scene Posters Café for ever. On the day for the last time the event was held there in the music (Subnormal Revolution), which culminate riots between punk with a mass of citizens around until the impact destroyed the car and show some teeth in the police disperse the mob. Posters outside Café Bubarnya suspected people-birth Venue Venue alternative for each of indie music scene. Café-Kupu Kupu Bulungan often used in the music scene Remix, Pondok Indah Waterpark, 2000 GM cafes and Café Gueni in Cikini scene for Brit / indie pop, parakeet De Javu Club in Menteng gigs for punk / hardcore and indie pop. Later Bar BB's super-narrow in Menteng often rented for events garage-rock new wave-drink alone punk rock, which also are hot, such as The Upstairs, Seringai, The Brandals, Brian, Killed By Butterfly, Sajama Cut ,
Devotion and more. In between all of them, may be the most `neutral 'and used cross-scene only Nirvana Café yangterletak in the basement of Maharadja Hotel, South Jakarta. In this place also, 13 January 2002 Pleasant, Puppen `snuff out history 'them in a historic concert entitled," Puppen: Every Last Show, "a sequence show the end of this band before the Bandung disband itself.
Scene Punk / Hardcore / Brit / Indie Pop
Invasion of grunge music / alternative album and the release of Kiss This Sex Pistols in 1992 was enough to be a powerful trigger in the birth new bands that do not play metal music. For example, only the band Pestol Aer from the community that the Young Offender start kiprahnya often cover songs with the Sex Pistols full dress-up punk haircut and mohawknya. Unique, on the next trip, around 1994, Pestol Aer then change the direction of their music into the band promote the genre of the British / indie pop style of The Stone Roses. Perhaps, this historical event
then a moment that is significant for the development of the British scene / indie pop in Jakarta. Before the break, in mid-1997 they released debut album `bertitel ... Doeloe Jang '. Early generation of Brit pop scene, among others, this is the band's hospital, Wondergel, Planet Earth, Orange, jellyfish, hairpin, V-Room,
Parklife to Death Goes To rEading bOOks.
Pestol Aer is not the first punk band, this capital in 1989 was the birth band punk / hardcore pioneer Antiseptic, which often play the numbers belong to the Black Flag, The Misfits, DRI until the Sex Pistols. Lukman (Waiting Room / The Superglad) and Robin (Sucker Head / Noxa) are also alumni band. In addition to often manggung in Jakarta, Antiseptic also manggung legendary rockfest in Bandung, Hullabaloo II at the end of 1994. Antiseptic own debut album that bertitel `putting 'new release eight years later (1997) in DIY There are also alternative bands such as Ocean, which plays music style of Jane's Addiction and others, unfortunately, they were not releasing the recording.
In addition, in early 1990, Jakarta also print a punk rock band, The Idiots, which often initially manggung to cover songs The Exploited. It is different with Antiseptic, just nine years later The Idiots released their debut album, which bertitel `Comfort Living In Anarchy 'via indie label Movement Records. Community -
community punk / hardcore also have been in Jakarta in the era of 90-is. In addition to the Young Offender community before, there is also a community South Sex (SS) in Radio Dalam, Subnormal in Kelapa Gading, Semi-People in the new Sawit, Brotherhood in Slipi, Locos in Block F to SID Gank in Los Angeles.
Meanwhile, the release classic scene from the punk / hardcore Jakarta is a compilation album Walk Together, Rock Together (Locos Enterprise), which releases early 1997 and single-load, among other bands from the Youth Against Fascism, Anti-septic, Straight Answers, Dirty Edge and so forth. Compilation album punk / hardcore classic is the One Still, Still Proud (Movement Records), which contains the single Sexy Pig, The Idiots, Death to Cryptical Out Of Control.
Bandung scene
In Bandung, around the beginning of 1994 there is a legendary music studio that embryo into underground rock scene in there. Reverse the name Studio is located in the Sukasenang. This initiated the establishment of studios by Richard Mutter (current drummer PAS) and Helvi. When growing Reverse then expanded the business with the wings
open distribution (acronym of the distribution), which sells CDs, cassettes, posters, t-shirts, and various other accessories imported. In addition to distribution, Richard also established independent label 40.1.24 the first release in 1997 is a compilation CD that bertitel "Masaindahbangetsekalipisan." Band-indie bands that participate in this compilation, among others, is the Burger Kill, Puppen, Papi, Rotten To The Core, and Full of Hate Waiting Room, as the only original band in Jakarta.
Bands that had been brought by this community Reverse between PAS and other Puppen. PAS in 1993 to promote the band's history as the first independently released album. Mini-album, which they bertitel "Four Through the SAP" ludes sold 5,000 cassettes in a short amount of time. Mastermind of birth to the idea of releasing the album independently PAS is (alm) Samuel Marudut. He was Music Director of GMR Radio, a radio station in Indonesia's first rock that often play a demo, demo recordings of rock bands amateur original Bandung, Jakarta and the surrounding areas. Tragisnya, in early 1995 killed Marudut found lifeless in the residence Krisna Sucker Head in Jakarta. Surprisingly, this death, according to Krisna, accompanied by songs from the album End The Best of The Doors diputarnya on the tape in the room Krisna. Meanwhile Puppen established in 1992 is one of the pioneers of the local hardcore until the end of its lifetime in 2002 had released three albums, namely, the EP Not A Pup (1995), MK II (1998) and Puppen s / t (2000). Pure Saturday and then follow that with the albums self-titled. This album and promotional assisted by O magazine. Cubic also experienced the same thing, with the bonus track cassette 3 before the release albums.
Somewhat to the east, is also in Bandung, we will find a community that episentrum underground metal in it, Edge Berung community. Formerly in the region were standing Studio Palapa that rendered many bands boast underground sandstone kinds Jasad, Forgotten, Sacrilegious, Sonic Torment, Morbus Corpse, Tympanic membrane, Infamy, Burger Kill, and so forth. Here is the beginning of 1995 and published the first music fanzine in Indonesia called Revograms believe. Edited Dinan, is the band's vocalist Sonic Torment, which have unique single titled "Talking machete." Revograms believe it was recorded three times and all published material to discuss the contents bands metal / hardcore local and international.
Then taklama and indie fanzine like Swirl, thirteen, burn limit and the other participating media like music. Ripple and Trolley appear as a magazine blog that discusses the tendency of Bandung and jug lifestylenya. Trolley bankrupt in 2002, while Ripple changed from the pocket magazine format to standard magazine. Meanwhile, the fanzine generally fotokopian up to now still continue to exist. Challenge in Bandung is not only the extreme music forward but also popnya indie scene. Pure emerged since Saturday, many indie pop band, or an alternative, such as Cherry Bombshell, Sieve, Rice and White up to date as the Milo, Mocca, Homogenic. Similarly Remix scene that has actually been there long before the big trend Remix. Noin Bullet Band as Agent and skins have long experience with this genre of music.
Anyone who had witnessed underground rock concert in Bandung certainly welcome GOR Saparua forget the famous to the various corners of the water. For indie bands, Venue of this sacred building like the magical power. Band outside Bandung, if not anywhere in the `baptism 'here is not afdhal taste. Artefacts blog underground Bandung, this is the most legendary silent witness digelarnya some phenomenal rock show, such as Hullabaloo, Bandung, next to the Bandung Underground. The number of spectators each events on the classified spectacular, between 5000 - 7000 spectators! Ticket only entrance to the prices are fantastic with all the brokers. Perhaps this is a record which are unresolved at this time to Indonesia to show the size of the rock underground.
Its dijuluki as a barometer of rock underground in Indonesia, Bandung, is indeed a city that offers a clever ideas for the progress of the national scene. Booming distributions that the whole of Indonesia at this time also by the city. The success of the album to sell music to tens of thousands of pieces, which is the band Mocca also came from this city. Even Burger Kill, hardcore band that first sign a contract with a major label, Sony Music Indonesia, also grew up in this city. Not to Trolley magazine (RIP) and Ripple as the reincarnation become topical in the current era, remain loyal to provide the largest portion liputannya for indie bands kind of cool local Koil, Cubic, Balcony, The Bahamas, Blind To See, my Rocket, The Milo , Teenage Death Star, to the communal SPOT Please check webzine Bandung, Death Rock Star (www.deathrockstar.tk) returns to. Original, a city that this is not dead!
Scene Jogjakarta
City students are formal nickname, but the reality is that this city has also become one of the underground rock scene in the Indonesian? Well, let's move on a little history. Jogjakarta underground metal community is one of Yogyakarta Corpsegrinder. This community had issued the Human Waste metal fanzine, a magazine and opened a megaton event at the legendary metal there, Yogyakarta Brebeg. Until now, these events have established ten times! Band-long underground metal bands from this city, among other Death Vomit, Mortal Scream, Impurity, Brutal Corpse, Mystis, Ruction.
To Scene punk / hardcore / industrial-around his rise early in 1997 tersebutlah name Sabotage, Something Wrong, Noise For Violence, Black Boots, DOM 65, Teknoshit the most up to date, Endank Soekamti. While the indie scene for rock / pop, to name a few that are worth highlighting is in Seek Six Sick, Bangkutaman, strawberry Pop's up to the Monophones. In addition, the band Remix the best that ever was born in Indonesia, shaggy Dog, also comes from this city. Shaggy Dog who is now contracted to EMI are preoccupied lately even opened a concert tour around Europe for 3 months! Gudeg this city also recorded Parkinsound institute, an electronic music festival, the first in Indonesia. Parkinsound # 3 held on 6 July 2001 at Pleasant Garden displays them of the Blind, Horse To Water Me Not, Teknoshit, Fucktory, until Melancholic Bitch
LaLa engine.
Scene Ltd
Underground rock scene in Singapore began to grow, with the development of independent bands Serious death metal / grindcore around mid-1995. History of the formation of the Singapore Expo events (such as Jakarta Fair in Jakarta - Red), where underground bands such as metal, Slowdeath, Torture, Dry, Venduzor, Bushido manggung at a music event in the event.
After the event each band was then agreed to establish an organization called the Independent. Base camp is the purpose of the organization formed as a unifier and means of disseminating information between the musician / underground metal band, this time concentrated in the area of Zamboanga del Mulyo or precisely in the studio owned by the band Retri Beauty (death metal band with all personelnya girl, now RIP - Red) . Members of the organization which is the embryo formation underground metal scene in Bangkok this deliberately restricted only around the band's only 7-10.
Independent first time the plan is to run the underground rock concert at the Youth Park, but this plan had failed because of busy conducting consolidation in the scene. After more clearly and begin the development of underground metal scene in Bangkok at the end of December 1997 the organization formally dissolved the Independent. This is done by the network to expand the no deliberate or a bullet into the community.
In the last before the Independent bubarnya organization, division record label they recorded was released several albums owned by the bands death metal / grindcore Surabaya. For example debut album property Slowdeath the bertitel "Mindless From Enthusiasm to Sordid Self-Destruction" (September 96), Dry debut album, entitled "Under the Veil of Religion" (97), Brutal Torture "Carnal Abuse," Died "Cemetery of Celerage" belong to debut album Fear Inside
The bertitel "Mindestruction." The following years after the metal underground in Surabaya dibanjiri by the release the album-release property Growl, Thandus, Holy terror, Kendath to Pejah.
Independent and instead dibentuklah Surabaya Underground Society (SUS) right in the new year night in 1997 on the campus of the University 45, when diselenggarakannya event AMUK I. At that time in Bangkok have also been many pop bands with a new flow of black metal music. One of the death metal band that is long, Dry and then move the music along with the concept derasnya influence of black metal music in the epoch of Surabaya.
Only survive more than a few months only, SUS in the same year by the divisions in it. Bands of black metal, Serious and separated to form a new vessel named ARMY High Moreno Valley, which has a base location in the area of Karang Rejo. Contrasting with the black metal, bands death metal then decided not form a new organization. Then, in September 1997 event was held AMUK II in the IKIP Surabaya. This event and then record their own history as the most successful event in Singapore is tense. 25 bands death metal and black metal show since the morning until the afternoon and by purchasing more than 800 - 1000 people. Soul, black metal band, the original Changweon also appear in even the invitation as a band.
Extreme metal scene in Surabaya at that time was dominated by more bands than black metal band, death metal / grindcore. They were also more intense in identifying events black metal music because of the large number of black metal band that appears. And recorded event of a successful black metal held in Surabaya as ARMY High Moreno Valley I and II.
Right on 1 June 1997 dibentuklah underground community INFERNO 178, which is located in the Leonard Dharma Husada (Prof. Jl.. DR. Moestopo, Red). In a somewhat similar with the home-shop (Ruko) is recorded several business divisions, namely, distribution, music studios, music labels, fanzine, cafe and event organizer for the underground events in Surabaya. Events in have a degree by INFERNO 178, among others, STOP THE madness, voltage HIGH I & II to BLUEKHUTUQ LIVE.
Bands of rock underground shelter that is now under the flag INFERNO 178, among others, Slowdeath, the sinners, Severe Carnage, System Sucks, Freecell, Bluekuthuq and so forth. Fanzine origin of the metal community INFERNO 178, Surabaya, called POST MANGLED first published in the usual events I HIGH voltage on the campus with the second paragraph appear bands punk rock and metal. This event is not successful because at the same time also held an event black metal. Unfortunately, this was followed by mandegnya process penggarapan POST MANGLED believe that no edisinya the latest issue until now.
So, to anticipate the occurrence of stagnansi or gaps in the information in the scene, was born and hardline Newsletter published the first time in February 1999. Fotokopian newsletter format that has the number of 4 page is a lot of respect for the various activities of underground metal music, punk to HC, not only in Singapore but more widely again. A positive response any more, according to them it came from outside the city of Surabaya itself. Somehow, according to their public underground rock in Surabaya less apresiatif and minimal support to the independent publication kinds fanzine or the newsletter. Until the end of its lifetime hardline Newsletter has been issued to the edisinya-12.
Division of the indie label INFERNO 178 at least until the release of about 10 albums are still using the name Independent as the name of their label. Just enter the year 2000 and the label INFERNO 178 Productions to produce the official album oldest punk band in Surabaya, the sinners, entitled "Ajang Hate." Next label
INFERNO 178 will be released to concentrate more products categorized non-metal. Meanwhile, a special label for the death metal / brutal death / grindcore dibentuklah and Bloody Pigs by Samir Records (now guitarist TENGKORAK) with the second album Slowdeath the bertitel "Propaganda" as the first project that is undertaken with the institute concert promo single Slowdeath at Café Flower around September 2000 ago that was attended by 150 - an onlooker. This album was recorded sold out, albeit still in limited numbers only. Ludes 200 chip without rest.
Scene Leicester
City expecting cold by about three hours journey from Surabaya, it has this underground rock scene of the "hot" since the beginning of the decade 90's. Tersebutlah name Total suffer Community (ZioN TrIhEdRoN) a motor for the resurrection of underground rock community in Leicester since the beginning of 1995. Members of this community consists of various musicians cross-scene, but still dominasinya
only children's metal. Underground rock concert, which was first held in the city of Malang also organized by this community. The event titled Parade of Music, held in the Underground Building Sasana Asih YPAC on 28 July 1996 with a display of local bands such as the fuselage of Malang (grindcore), Ritual Orchestra (black metal), dying (death metal), Knuckle Head (punk / HC) , Grindpeace (industrial
death metal), No Man's Land (punk), The Babies (punk), and bands of origin, Bangkok, Slowdeath (grindcore) and the sinners (punk).
Several other Mandurah band that should be given credit, among other Keramat, Perish, Genital Giblets, and of course Santhet Rotten Corpse. The last band called is a pioneer style brutal death metal in Indonesia. Their debut album
bertitel "Maggot Sickness" when the storm metal scene in Jakarta, Bandung, Yogyakarta and Bali because the compositions are solid and quality rekamannya top notch. Later this band broken into two, and one of the founders guitarist at the same time, THINK NOT, fled to Bandung, and establish Disinfected. Born in this city for the second time in the U.S. music fanzine. The name Mindblast zine
published by two scenester, and Afril Samack at the end of 1995. Afril itself is ex-band vocalist Grindpeace that now exist in the crust-band grind critical, Extreme Decay. While the indie label pioneer who until now still survive and remain productive release of the album is Configuresoft Records
Scene Bali
Speaking in Bali scene back underground we will find the metal community as pelopornya. Testing of the community is beginning in 1921 in Denpasar, Bali, Corpsegrinder. Follow exist in the other, Dede Suhita, Putra Pande, Age Grindcorner and Sabdo Moelyo. Dede is a magazine editor who published the metal in the megaton
Jogjakarta, Putra Pande is one of the pioneers metal webzine Indonesia
Corpsegrinder (now The Anorexia) since 1998, the age distribution is the first businessman in Bali and Moel is guitarist / vocalist death metal band, ethnic, Mario Madness identifying the active underground concert there. In 1921 the name was taken from the duration of the music program broadcast weekly on Radio metal cassanova, Bali
lasts from 19:00 until 21:00 WITA.
Beginning in 1996 the community is broken and each person road alone. Moel with EM Enterprise on 20 October 1996 to run the first large underground concert in Bali called Total Uyut in GOR Ngurah Rai Airport, Denpasar. Bali bands that appear among Mario Madness, Superman Is Dead, Pokoke, Lithium, Triple Punk, Phobia, Asmodius to Death Chorus. Meanwhile, bands outside Balinya is Grausig, Betrayer (Jakarta), Jasad, Dajjal, Sacrilegious, Total Riot (Bandung) and Death Vomit (Jogjakarta). This successful concert siphon around 2,000 spectators and the people to now become the annual underground rock festival there. Either
Total Uyut alumni of the now successful to a large across the archipelago is a punk band origin Keratsínion, Superman Is Dead. They even became the first punk band in Indonesia contracted by 6 albums, Sony Music Indonesia. Indie bands Bali today that stands out among them is Navicula, Postmen, The Brews, Telephone, Blod Shot Eyes
and of course Mario Madness of ready released three albums to them in the near future.
Entering the 2000-era indie scene was more about Bali. SID inspires success for bands other Bali to try harder again, yet the SID concrete have proved that the band `son of the region 'them any capable ruthless music industry capital. To support the bands Bali, drummer SID, and some Jerinx i then open the Maximmum Rock N 'Roll Monarchy (The Max), a pub music Poppies are on the road, Kuta. Often, regular rock event held in this place.
Indie Indonesia Era 2000-an
How the movement of the independent music scene Indonesia's 2000-era? The presence of Internet technology and e-mail clearly contributing to the development of this scene. Access to information and communication open wide network (networking) among the community is growing in Indonesia. Bands and communities work with many new styles offer a more diverse music. Trend-for-indie label released the album race local bands also brisk, at least this effort is a useful documentation of the history of tens of years into the future.
The interest now is the domination of the use of idioms `indie 'and not for the underground music scene defines a non-local mainstream. Once there, and polemic debate klasikmengenai term `indie, or underground 'this land in the water. Some people take the term `underground 'bias, because the reality is more days, more and more underground bands that` Sell-out', either contracted the major labels, music styles change for the sake of business or sweet bestseller album to sell tens of thousands of pieces. Meanwhile, some more than happy to use the music idioms as more `elastic 'and, for example, more friendly for the bands that are not playing extreme music style. Although more impressed compromise, the terms of this indie recently also often used by the national mass media, far
leave the orthodox term `underground 'it was.
Exciting debate in the indie / underground, major label or indie labels, hundreds of new born band, dozens of indie labels rout released albums, thousands of distribution / clothing shop opened across the country. Infrastructure music scene non-mainstream, it remains established from day to day. They are not as concerned with the polarization of major indie labels that do not substantially more. Playing music as possible while you enjoy more of a `C 'today.
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Start early
Fetus birth of rock underground music scene in Indonesia released from the evolution of hard-rockers rockers pioneer era 70s as a predecessor. A God Bless for example, a worker Gang, Gypsy (Jakarta), Giant Step, Super Kid (Bandung), Terncem (Solo), AKA / SAS (Surabaya), Bentoel (Leicester) to Rawe Rontek from Banten. They this is the first generation of rockers Indonesia. The term itself is actually underground magazine has used topical since the early era of 70 - an. The term is used magazine, music and lifestyle pioneer Bandung is original to identify the bands that played loud music with a style that is more `wild 'and` extreme' to measure time. Even if honest, the song played bands of the above is not the work of their own songs, but the property bands overseas kinds of Deep Purple, Jefferson Airplane, Black Sabbath, Genesis, Led Zeppelin, Kansas, Rolling Stones to ELP . Counterproductive tradition that is then recorded history
name was fragrant in the national stage. Take for example, only El Pamas, Grass Rock (Leicester), Power Metal (Surabaya), Adi Metal Rock (Solo), Val Halla (Singapore) to Roxx (Jakarta). In addition, the log also membidani the birth of rock label's first in Indonesia, Logiss Records. Product labels this is the first album
God Bless the third, "everything Black" released in 1988 and ludes up to 400,000 cassettes in the entire country.
Towards the end of the 80s era, the world time that young people are experiencing fever thrash metal music. A style of music that is more extreme metal more than heavy metal. Bands that become gods among its other Slayer, Metallica, Exodus, Megadeth, the Creator, Sodom, Sepultura to anthrax. Most large cities in Indonesia such as Jakarta, Bandung, Yogyakarta, Surabaya, Malang to Bali, scene undergroundnya first born from the extreme music genre. In Jakarta alone the metal community first appear in front of the public in early 1988. Community children's metal (the term is not popular underground) is usually hang out in the pid Pub, a small pub in the shopping area of Pondok Indah, South Jakarta. According to J. Krisna Sadrach, frontman Sucker Head, other than hangouts, the children who hang out there by the aunt Esther, owner pid Pub, given the opportunity to be manggung there. Every night there is always a week usually live show of new bands in the pid Pub and most of the bands promote the music of rock or metal.
Bands that often hang out in this scene pid Pub, among other Roxx (Metallica & Anthrax), Sucker Head (Creator & Sepultura), Commotion Of Resources (Exodus), Painfull Death, the rotor (the Creator), Razzle (GN'R) , Raucous (DRI & MOD), Cadaver, Mortus to Alien Scream (Obituary). Some bands over the next journey that makes a lot into new bands. Commotion Of Resources embryo is a gothic metal band Rubber, while the fetus is a raucous death metal band Alien Scream long. In addition, Oddie, vocalist Painfull Death further establish Sic Mynded industrial group in the United States with Rudi Soedjarwo (director of The Love Is There?). Rotor itself was formed in 1992 after guitarist cabutnya Head Sucker, Ray Sembiring feel that the concept of Head music Sucker is still time for less extreme.
The spirit that brought the forerunner of this pattern is still working long tradition of `school ', proud to be the band cover version! Among them all, only Roxx fortunate to be recording their first single, "Rock echo." This happens because they are one of the finalists Rock Festival Pan-Indonesia-V. Get a recording contract from the label is the obsession that is too flowery at that time. This recording, demo recordings can be played on the radio they are happy. When the radio station that routine mengudarakan music to rock / metal is the Bahamas Radio, Metro Radio and Radio SK Jaya. From some of the radio may be the most legendary is the Radio Mustang. They have a program called Rock N 'Rhythm of
regime every Wednesday night from 19:00 - 21:00 WIB. The radio station is even by direct disatroni was dedengkot Brazil thrash metal, Sepultura, when they come to Jakarta in June 1992. In addition to the radio medium, the mass media, which regularly review the news of rock / metal at that time only o-Magazines, Tabloid Imagery and Music Magazine Vista.
In addition to hang out at each pid Pub weekends, children's day-to-metal this day hangouts in the court of Pharmacy Retna located in Cilandak, South Jakarta. Some young celebrities who had hangouts together (groupies?) Children of this metal, among other Ayu Azhari, Cornelia Agatha, Sophia Latjuba, Karina Suwandi to Krisdayanti. Actress Ayu Azhari own even as his wife was dipersunting by (alm) Jodhie Gondokusumo vocalist who is Rubber and also
former vocalist rotor.
Not far from the Pharmacy Retna, other locations that are often used as a location rehearsal is a Feel Studio One is the studio's most legendary and exercise can be almost all the bands of rock / metal long been the capital of routine practice here. In addition pid Pub, where Venue alternative rock bands underground
manggung is on the Black Hole and restaurants Manari in the Open Air Museum Satria Mandala (embryo Posters Café). Outside, the stage art events and music on campus are often also the "infiltration" by the metal bands are. Pensi the historikal some of them are Pamsos (SMA Bulungan 6), PL Fair (SMA
Pangudi Luhur), Kresikars (SMA 82), a music-campus University
National (Pejaten), http://profiles.friendster.com/dtanph ", University of Indonesia (Kimberley), Unika Atmajaya Jakarta, Indonesia Institute of Technology (Oakley) to the University of Jayabaya (Pulomas).
Berkonsernya two supergrup international metal in Indonesia, Sepultura (1992) and Metallica (1993) gave a large contribution to the development of metal bands similar in Indonesia. Not long after Sepultura successful "burn" Jakarta and Surabaya, speed-metal band releasing an album Roxx self-titled debut under their
Blackboard label. This album cassette soon become one of the album classic speed metal era of Indonesia's 90's. The same also experienced by the rotor. Success phenomenal Metallica concert open for two days in succession in Lebak Bulus Stadium, the rotor then released the album thrash-metal's first major label in Indonesia, Behind The 8th Ball (AIRO). With recommendations from the Metallica tour manager and honorarium 30 million rupiah results twice to open the concert, Metallica, the personnel rotor (minus drummer Bakkar Bufthaim) eksodus away to Uncle Sam's country to speculate. Sucker Head itself has been recorded in the released debut album than the band
their other contemporary. Once contracted local major label, Aquarius
Musikindo, a new beginning in 1995 they released the album `The Head Sucker '. Until now, Sucker Head has recorded four albums released.
Travel the length of such underground rock in the ground water, may be new in the first half of the decade 90-anlah many start-formed scene underground scene in the actual meaning in Indonesia. In Jakarta alone consolidation in the metal scene centered around the Blok M early 1995. At the time some children are often the metal
hangouts seen in the gaming center, 6th Floor Plaza and Block M in a famous restaurant franchise there. Their activities, other than to hang out is to exchange information about local bands daninternasional, swap CDs, buy-sell t-shirts metal to plan organizing the concert. Some of the other choose to hang out in the basement of Block Mall, which is fortuitously located below ground.
In this era of hype that metal music in the digandrungi is a subgenre that is more extreme death metal, brutal death metal, grindcore, black metal to Goth / Doom metal. Some bands are more shiny in the name of this era is Grausig, Trauma, Aaarghhh, Tengkorak, Delirium Tremens, Corporation of Bleeding, adapter, Betrayer, Sadistis, Godzilla and so forth. Tengkorak grindcore band in 1996, even as the band recorded the first mini-album released independently in Jakarta with the title of `It's A Proud To Vomit Him '. This album is recorded in a professional studio in the Triple M, Jakarta, with the sound engineer Harry Widodo (previously handling the album Roxx, the rotor, Koil, Puppen and PAS).
1996 also recorded the birth of the first underground music fanzine in Jakarta, Brainwashed zine. Brainwashed published the first edition of 24 pages with a cover showing the band profile Grausig and Trauma, Betrayer and Delirium Tremens. In type on a computer-based operating system Windows 3.1 and the lay-out of the cut n 'paste traditional, Brainwashed then be 100 copies with the coffee machine images belong to the author own brother. In the next edition-edition Brainwashed also review the bands hardcore punk even Remix. After rising up to four fotokopian edition, in 1997, Brainwashed was printed with a professional style magazine cover
full color. Until 1999, only Brainwashed strong rises to seven editions, before finally in 2000 the author has the format e-zine on the Internet (www.bisik.com). Media alike that the next rising more consistent in Jakarta, among others, Morbid Noise zine, guerrilla zine, Rottrevore zine, and the Cosmic zine
so forth.
29 September 1996 marks the beginning of a new era for the development of underground rock in Jakarta. Right on the day that is the indie music event held for the first time in the Poster Café. The event called "Underground Session" is held once every two weeks on night work. Café owned by legendary rockers gaek
Ahmad Albar is the birth and raising a lot of indie music scene a new genre of music that play different and more varied. The creation scene Brit / indie pop, Remix music explosion that phenomenal era 1997 - 2000 to tawuran bulk of the historical part of a small mass, Jakarta, Bandung, also occurred in this place. Rubber,
The Brain Machine, Stepforward, Dead Pits, Bloody Gore, Straight Answers, Frontside, RU Sucks, Fudge, Jun Fan gung Foo, Be Quiet, Bandempo, Kindergarten, RGB, Burning Inside, Sixtols, Looserz, HIV, Planet Earth, hospital, Fable, hairpin, Naif, toilets Sounds, Agus Sasongko & FSOP is some small bands of `satisfied 'manggung there.
10 March 1999 is the day the death scene Posters Café for ever. On the day for the last time the event was held there in the music (Subnormal Revolution), which culminate riots between punk with a mass of citizens around until the impact destroyed the car and show some teeth in the police disperse the mob. Posters outside Café Bubarnya suspected people-birth Venue Venue alternative for each of indie music scene. Café-Kupu Kupu Bulungan often used in the music scene Remix, Pondok Indah Waterpark, 2000 GM cafes and Café Gueni in Cikini scene for Brit / indie pop, parakeet De Javu Club in Menteng gigs for punk / hardcore and indie pop. Later Bar BB's super-narrow in Menteng often rented for events garage-rock new wave-drink alone punk rock, which also are hot, such as The Upstairs, Seringai, The Brandals, Brian, Killed By Butterfly, Sajama Cut ,
Devotion and more. In between all of them, may be the most `neutral 'and used cross-scene only Nirvana Café yangterletak in the basement of Maharadja Hotel, South Jakarta. In this place also, 13 January 2002 Pleasant, Puppen `snuff out history 'them in a historic concert entitled," Puppen: Every Last Show, "a sequence show the end of this band before the Bandung disband itself.
Scene Punk / Hardcore / Brit / Indie Pop
Invasion of grunge music / alternative album and the release of Kiss This Sex Pistols in 1992 was enough to be a powerful trigger in the birth new bands that do not play metal music. For example, only the band Pestol Aer from the community that the Young Offender start kiprahnya often cover songs with the Sex Pistols full dress-up punk haircut and mohawknya. Unique, on the next trip, around 1994, Pestol Aer then change the direction of their music into the band promote the genre of the British / indie pop style of The Stone Roses. Perhaps, this historical event
then a moment that is significant for the development of the British scene / indie pop in Jakarta. Before the break, in mid-1997 they released debut album `bertitel ... Doeloe Jang '. Early generation of Brit pop scene, among others, this is the band's hospital, Wondergel, Planet Earth, Orange, jellyfish, hairpin, V-Room,
Parklife to Death Goes To rEading bOOks.
Pestol Aer is not the first punk band, this capital in 1989 was the birth band punk / hardcore pioneer Antiseptic, which often play the numbers belong to the Black Flag, The Misfits, DRI until the Sex Pistols. Lukman (Waiting Room / The Superglad) and Robin (Sucker Head / Noxa) are also alumni band. In addition to often manggung in Jakarta, Antiseptic also manggung legendary rockfest in Bandung, Hullabaloo II at the end of 1994. Antiseptic own debut album that bertitel `putting 'new release eight years later (1997) in DIY There are also alternative bands such as Ocean, which plays music style of Jane's Addiction and others, unfortunately, they were not releasing the recording.
In addition, in early 1990, Jakarta also print a punk rock band, The Idiots, which often initially manggung to cover songs The Exploited. It is different with Antiseptic, just nine years later The Idiots released their debut album, which bertitel `Comfort Living In Anarchy 'via indie label Movement Records. Community -
community punk / hardcore also have been in Jakarta in the era of 90-is. In addition to the Young Offender community before, there is also a community South Sex (SS) in Radio Dalam, Subnormal in Kelapa Gading, Semi-People in the new Sawit, Brotherhood in Slipi, Locos in Block F to SID Gank in Los Angeles.
Meanwhile, the release classic scene from the punk / hardcore Jakarta is a compilation album Walk Together, Rock Together (Locos Enterprise), which releases early 1997 and single-load, among other bands from the Youth Against Fascism, Anti-septic, Straight Answers, Dirty Edge and so forth. Compilation album punk / hardcore classic is the One Still, Still Proud (Movement Records), which contains the single Sexy Pig, The Idiots, Death to Cryptical Out Of Control.
Bandung scene
In Bandung, around the beginning of 1994 there is a legendary music studio that embryo into underground rock scene in there. Reverse the name Studio is located in the Sukasenang. This initiated the establishment of studios by Richard Mutter (current drummer PAS) and Helvi. When growing Reverse then expanded the business with the wings
open distribution (acronym of the distribution), which sells CDs, cassettes, posters, t-shirts, and various other accessories imported. In addition to distribution, Richard also established independent label 40.1.24 the first release in 1997 is a compilation CD that bertitel "Masaindahbangetsekalipisan." Band-indie bands that participate in this compilation, among others, is the Burger Kill, Puppen, Papi, Rotten To The Core, and Full of Hate Waiting Room, as the only original band in Jakarta.
Bands that had been brought by this community Reverse between PAS and other Puppen. PAS in 1993 to promote the band's history as the first independently released album. Mini-album, which they bertitel "Four Through the SAP" ludes sold 5,000 cassettes in a short amount of time. Mastermind of birth to the idea of releasing the album independently PAS is (alm) Samuel Marudut. He was Music Director of GMR Radio, a radio station in Indonesia's first rock that often play a demo, demo recordings of rock bands amateur original Bandung, Jakarta and the surrounding areas. Tragisnya, in early 1995 killed Marudut found lifeless in the residence Krisna Sucker Head in Jakarta. Surprisingly, this death, according to Krisna, accompanied by songs from the album End The Best of The Doors diputarnya on the tape in the room Krisna. Meanwhile Puppen established in 1992 is one of the pioneers of the local hardcore until the end of its lifetime in 2002 had released three albums, namely, the EP Not A Pup (1995), MK II (1998) and Puppen s / t (2000). Pure Saturday and then follow that with the albums self-titled. This album and promotional assisted by O magazine. Cubic also experienced the same thing, with the bonus track cassette 3 before the release albums.
Somewhat to the east, is also in Bandung, we will find a community that episentrum underground metal in it, Edge Berung community. Formerly in the region were standing Studio Palapa that rendered many bands boast underground sandstone kinds Jasad, Forgotten, Sacrilegious, Sonic Torment, Morbus Corpse, Tympanic membrane, Infamy, Burger Kill, and so forth. Here is the beginning of 1995 and published the first music fanzine in Indonesia called Revograms believe. Edited Dinan, is the band's vocalist Sonic Torment, which have unique single titled "Talking machete." Revograms believe it was recorded three times and all published material to discuss the contents bands metal / hardcore local and international.
Then taklama and indie fanzine like Swirl, thirteen, burn limit and the other participating media like music. Ripple and Trolley appear as a magazine blog that discusses the tendency of Bandung and jug lifestylenya. Trolley bankrupt in 2002, while Ripple changed from the pocket magazine format to standard magazine. Meanwhile, the fanzine generally fotokopian up to now still continue to exist. Challenge in Bandung is not only the extreme music forward but also popnya indie scene. Pure emerged since Saturday, many indie pop band, or an alternative, such as Cherry Bombshell, Sieve, Rice and White up to date as the Milo, Mocca, Homogenic. Similarly Remix scene that has actually been there long before the big trend Remix. Noin Bullet Band as Agent and skins have long experience with this genre of music.
Anyone who had witnessed underground rock concert in Bandung certainly welcome GOR Saparua forget the famous to the various corners of the water. For indie bands, Venue of this sacred building like the magical power. Band outside Bandung, if not anywhere in the `baptism 'here is not afdhal taste. Artefacts blog underground Bandung, this is the most legendary silent witness digelarnya some phenomenal rock show, such as Hullabaloo, Bandung, next to the Bandung Underground. The number of spectators each events on the classified spectacular, between 5000 - 7000 spectators! Ticket only entrance to the prices are fantastic with all the brokers. Perhaps this is a record which are unresolved at this time to Indonesia to show the size of the rock underground.
Its dijuluki as a barometer of rock underground in Indonesia, Bandung, is indeed a city that offers a clever ideas for the progress of the national scene. Booming distributions that the whole of Indonesia at this time also by the city. The success of the album to sell music to tens of thousands of pieces, which is the band Mocca also came from this city. Even Burger Kill, hardcore band that first sign a contract with a major label, Sony Music Indonesia, also grew up in this city. Not to Trolley magazine (RIP) and Ripple as the reincarnation become topical in the current era, remain loyal to provide the largest portion liputannya for indie bands kind of cool local Koil, Cubic, Balcony, The Bahamas, Blind To See, my Rocket, The Milo , Teenage Death Star, to the communal SPOT Please check webzine Bandung, Death Rock Star (www.deathrockstar.tk) returns to. Original, a city that this is not dead!
Scene Jogjakarta
City students are formal nickname, but the reality is that this city has also become one of the underground rock scene in the Indonesian? Well, let's move on a little history. Jogjakarta underground metal community is one of Yogyakarta Corpsegrinder. This community had issued the Human Waste metal fanzine, a magazine and opened a megaton event at the legendary metal there, Yogyakarta Brebeg. Until now, these events have established ten times! Band-long underground metal bands from this city, among other Death Vomit, Mortal Scream, Impurity, Brutal Corpse, Mystis, Ruction.
To Scene punk / hardcore / industrial-around his rise early in 1997 tersebutlah name Sabotage, Something Wrong, Noise For Violence, Black Boots, DOM 65, Teknoshit the most up to date, Endank Soekamti. While the indie scene for rock / pop, to name a few that are worth highlighting is in Seek Six Sick, Bangkutaman, strawberry Pop's up to the Monophones. In addition, the band Remix the best that ever was born in Indonesia, shaggy Dog, also comes from this city. Shaggy Dog who is now contracted to EMI are preoccupied lately even opened a concert tour around Europe for 3 months! Gudeg this city also recorded Parkinsound institute, an electronic music festival, the first in Indonesia. Parkinsound # 3 held on 6 July 2001 at Pleasant Garden displays them of the Blind, Horse To Water Me Not, Teknoshit, Fucktory, until Melancholic Bitch
LaLa engine.
Scene Ltd
Underground rock scene in Singapore began to grow, with the development of independent bands Serious death metal / grindcore around mid-1995. History of the formation of the Singapore Expo events (such as Jakarta Fair in Jakarta - Red), where underground bands such as metal, Slowdeath, Torture, Dry, Venduzor, Bushido manggung at a music event in the event.
After the event each band was then agreed to establish an organization called the Independent. Base camp is the purpose of the organization formed as a unifier and means of disseminating information between the musician / underground metal band, this time concentrated in the area of Zamboanga del Mulyo or precisely in the studio owned by the band Retri Beauty (death metal band with all personelnya girl, now RIP - Red) . Members of the organization which is the embryo formation underground metal scene in Bangkok this deliberately restricted only around the band's only 7-10.
Independent first time the plan is to run the underground rock concert at the Youth Park, but this plan had failed because of busy conducting consolidation in the scene. After more clearly and begin the development of underground metal scene in Bangkok at the end of December 1997 the organization formally dissolved the Independent. This is done by the network to expand the no deliberate or a bullet into the community.
In the last before the Independent bubarnya organization, division record label they recorded was released several albums owned by the bands death metal / grindcore Surabaya. For example debut album property Slowdeath the bertitel "Mindless From Enthusiasm to Sordid Self-Destruction" (September 96), Dry debut album, entitled "Under the Veil of Religion" (97), Brutal Torture "Carnal Abuse," Died "Cemetery of Celerage" belong to debut album Fear Inside
The bertitel "Mindestruction." The following years after the metal underground in Surabaya dibanjiri by the release the album-release property Growl, Thandus, Holy terror, Kendath to Pejah.
Independent and instead dibentuklah Surabaya Underground Society (SUS) right in the new year night in 1997 on the campus of the University 45, when diselenggarakannya event AMUK I. At that time in Bangkok have also been many pop bands with a new flow of black metal music. One of the death metal band that is long, Dry and then move the music along with the concept derasnya influence of black metal music in the epoch of Surabaya.
Only survive more than a few months only, SUS in the same year by the divisions in it. Bands of black metal, Serious and separated to form a new vessel named ARMY High Moreno Valley, which has a base location in the area of Karang Rejo. Contrasting with the black metal, bands death metal then decided not form a new organization. Then, in September 1997 event was held AMUK II in the IKIP Surabaya. This event and then record their own history as the most successful event in Singapore is tense. 25 bands death metal and black metal show since the morning until the afternoon and by purchasing more than 800 - 1000 people. Soul, black metal band, the original Changweon also appear in even the invitation as a band.
Extreme metal scene in Surabaya at that time was dominated by more bands than black metal band, death metal / grindcore. They were also more intense in identifying events black metal music because of the large number of black metal band that appears. And recorded event of a successful black metal held in Surabaya as ARMY High Moreno Valley I and II.
Right on 1 June 1997 dibentuklah underground community INFERNO 178, which is located in the Leonard Dharma Husada (Prof. Jl.. DR. Moestopo, Red). In a somewhat similar with the home-shop (Ruko) is recorded several business divisions, namely, distribution, music studios, music labels, fanzine, cafe and event organizer for the underground events in Surabaya. Events in have a degree by INFERNO 178, among others, STOP THE madness, voltage HIGH I & II to BLUEKHUTUQ LIVE.
Bands of rock underground shelter that is now under the flag INFERNO 178, among others, Slowdeath, the sinners, Severe Carnage, System Sucks, Freecell, Bluekuthuq and so forth. Fanzine origin of the metal community INFERNO 178, Surabaya, called POST MANGLED first published in the usual events I HIGH voltage on the campus with the second paragraph appear bands punk rock and metal. This event is not successful because at the same time also held an event black metal. Unfortunately, this was followed by mandegnya process penggarapan POST MANGLED believe that no edisinya the latest issue until now.
So, to anticipate the occurrence of stagnansi or gaps in the information in the scene, was born and hardline Newsletter published the first time in February 1999. Fotokopian newsletter format that has the number of 4 page is a lot of respect for the various activities of underground metal music, punk to HC, not only in Singapore but more widely again. A positive response any more, according to them it came from outside the city of Surabaya itself. Somehow, according to their public underground rock in Surabaya less apresiatif and minimal support to the independent publication kinds fanzine or the newsletter. Until the end of its lifetime hardline Newsletter has been issued to the edisinya-12.
Division of the indie label INFERNO 178 at least until the release of about 10 albums are still using the name Independent as the name of their label. Just enter the year 2000 and the label INFERNO 178 Productions to produce the official album oldest punk band in Surabaya, the sinners, entitled "Ajang Hate." Next label
INFERNO 178 will be released to concentrate more products categorized non-metal. Meanwhile, a special label for the death metal / brutal death / grindcore dibentuklah and Bloody Pigs by Samir Records (now guitarist TENGKORAK) with the second album Slowdeath the bertitel "Propaganda" as the first project that is undertaken with the institute concert promo single Slowdeath at Café Flower around September 2000 ago that was attended by 150 - an onlooker. This album was recorded sold out, albeit still in limited numbers only. Ludes 200 chip without rest.
Scene Leicester
City expecting cold by about three hours journey from Surabaya, it has this underground rock scene of the "hot" since the beginning of the decade 90's. Tersebutlah name Total suffer Community (ZioN TrIhEdRoN) a motor for the resurrection of underground rock community in Leicester since the beginning of 1995. Members of this community consists of various musicians cross-scene, but still dominasinya
only children's metal. Underground rock concert, which was first held in the city of Malang also organized by this community. The event titled Parade of Music, held in the Underground Building Sasana Asih YPAC on 28 July 1996 with a display of local bands such as the fuselage of Malang (grindcore), Ritual Orchestra (black metal), dying (death metal), Knuckle Head (punk / HC) , Grindpeace (industrial
death metal), No Man's Land (punk), The Babies (punk), and bands of origin, Bangkok, Slowdeath (grindcore) and the sinners (punk).
Several other Mandurah band that should be given credit, among other Keramat, Perish, Genital Giblets, and of course Santhet Rotten Corpse. The last band called is a pioneer style brutal death metal in Indonesia. Their debut album
bertitel "Maggot Sickness" when the storm metal scene in Jakarta, Bandung, Yogyakarta and Bali because the compositions are solid and quality rekamannya top notch. Later this band broken into two, and one of the founders guitarist at the same time, THINK NOT, fled to Bandung, and establish Disinfected. Born in this city for the second time in the U.S. music fanzine. The name Mindblast zine
published by two scenester, and Afril Samack at the end of 1995. Afril itself is ex-band vocalist Grindpeace that now exist in the crust-band grind critical, Extreme Decay. While the indie label pioneer who until now still survive and remain productive release of the album is Configuresoft Records
Scene Bali
Speaking in Bali scene back underground we will find the metal community as pelopornya. Testing of the community is beginning in 1921 in Denpasar, Bali, Corpsegrinder. Follow exist in the other, Dede Suhita, Putra Pande, Age Grindcorner and Sabdo Moelyo. Dede is a magazine editor who published the metal in the megaton
Jogjakarta, Putra Pande is one of the pioneers metal webzine Indonesia
Corpsegrinder (now The Anorexia) since 1998, the age distribution is the first businessman in Bali and Moel is guitarist / vocalist death metal band, ethnic, Mario Madness identifying the active underground concert there. In 1921 the name was taken from the duration of the music program broadcast weekly on Radio metal cassanova, Bali
lasts from 19:00 until 21:00 WITA.
Beginning in 1996 the community is broken and each person road alone. Moel with EM Enterprise on 20 October 1996 to run the first large underground concert in Bali called Total Uyut in GOR Ngurah Rai Airport, Denpasar. Bali bands that appear among Mario Madness, Superman Is Dead, Pokoke, Lithium, Triple Punk, Phobia, Asmodius to Death Chorus. Meanwhile, bands outside Balinya is Grausig, Betrayer (Jakarta), Jasad, Dajjal, Sacrilegious, Total Riot (Bandung) and Death Vomit (Jogjakarta). This successful concert siphon around 2,000 spectators and the people to now become the annual underground rock festival there. Either
Total Uyut alumni of the now successful to a large across the archipelago is a punk band origin Keratsínion, Superman Is Dead. They even became the first punk band in Indonesia contracted by 6 albums, Sony Music Indonesia. Indie bands Bali today that stands out among them is Navicula, Postmen, The Brews, Telephone, Blod Shot Eyes
and of course Mario Madness of ready released three albums to them in the near future.
Entering the 2000-era indie scene was more about Bali. SID inspires success for bands other Bali to try harder again, yet the SID concrete have proved that the band `son of the region 'them any capable ruthless music industry capital. To support the bands Bali, drummer SID, and some Jerinx i then open the Maximmum Rock N 'Roll Monarchy (The Max), a pub music Poppies are on the road, Kuta. Often, regular rock event held in this place.
Indie Indonesia Era 2000-an
How the movement of the independent music scene Indonesia's 2000-era? The presence of Internet technology and e-mail clearly contributing to the development of this scene. Access to information and communication open wide network (networking) among the community is growing in Indonesia. Bands and communities work with many new styles offer a more diverse music. Trend-for-indie label released the album race local bands also brisk, at least this effort is a useful documentation of the history of tens of years into the future.
The interest now is the domination of the use of idioms `indie 'and not for the underground music scene defines a non-local mainstream. Once there, and polemic debate klasikmengenai term `indie, or underground 'this land in the water. Some people take the term `underground 'bias, because the reality is more days, more and more underground bands that` Sell-out', either contracted the major labels, music styles change for the sake of business or sweet bestseller album to sell tens of thousands of pieces. Meanwhile, some more than happy to use the music idioms as more `elastic 'and, for example, more friendly for the bands that are not playing extreme music style. Although more impressed compromise, the terms of this indie recently also often used by the national mass media, far
leave the orthodox term `underground 'it was.
Exciting debate in the indie / underground, major label or indie labels, hundreds of new born band, dozens of indie labels rout released albums, thousands of distribution / clothing shop opened across the country. Infrastructure music scene non-mainstream, it remains established from day to day. They are not as concerned with the polarization of major indie labels that do not substantially more. Playing music as possible while you enjoy more of a `C 'today.
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